The New Beethoven : Evolution, Analysis, Interpretation /

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"Beethoven's music stands as a universal symbol of personal and artistic achievement. As we reach and then surpass the 250th anniversary of the composer's birth, Jeremy Yudkin has commissioned a collection of new essays from some of the most insightful writers on Beethoven's acco...

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Detalles Bibliográficos
Otros Autores: Lockwood, Lewis (honouree.), Yudkin, Jeremy (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Rochester, NY : University of Rochester Press, 2020.
Colección:Book collections on Project MUSE.
Temas:
Beethoven, Ludwig van, > 1770-1827.
Beethoven, Ludwig van, > 1770-1827 > Criticism and interpretation.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Chronological bibliography of books, articles, book chapters, and musical editions by Lewis Lockwood
  • Introduction / Jeremy Yudkin
  • Part one: A creative life. Of deserters and orphans: Beethoven's early exposure to the Operas-Comiques of Monsigny / Steven M. Whiting
  • "A really excellent and capable man": Beethoven and Johann Traeg / David Wyn Jones
  • A four-leaf clover: a newly discovered cello, the premiere of the Ninth Symphony, Beethoven's circle of friends in Bonn, and a corrected edition of the song "Ruf vom Berge," WoO 147 / Michael Ladenburger
  • "Where thought touches the blood": rhythmic disturbance as physical realism in Beethoven's creative process / Bruce Adolphe
  • The sanctification of Beethoven in 1827-28 / Christopher Reynolds
  • Part two: Prometheus / Eroica. The Prometheus theme and Beethoven's shift from avoidance to embrace of possibilities / Alan Gosman
  • Beethoven at Heiligenstadt in 1802: deconstruction, integration, and creativity / William Kinderman
  • "Mit Verstärkung des Orchesters": the orchestra personnel at the first public performance of Beethoven's Eroica / Theodore Albrecht
  • Part three: Masses. "Aber lieber Beethoven, was haben Sie denn wieder da gemacht?" Observations on the performing parts for the premiere of Beethoven's Mass in C, Opus 86 / Jeremiah W. McGrann
  • Heart to heart: Beethoven, Archduke Rudolph, and the Missa solemnis / Mark Evan Bonds
  • God and the voice of Beethoven / Scott Burnham
  • Part four: Quartets. "So here I am, in the middle way": the autograph of the "Harp" Quartet and the expressive domain of Beethoven's second maturity / M. Lucy Turner
  • Meaningful details: expressive markings in Beethoven manuscripts, with a focus on Opus 127 / Nicholas Kitchen
  • The autograph score of the slow movement of Beethoven's last quartet, Opus 135 / Barry Cooper
  • Early German-language reviews of Beethoven's late string quartets / Robin Wallace
  • Part five: Explorations. Three movements or four? The scherzo movements in Beethoven's early sonatas / Erica Buurman
  • Utopia and dystopia revisited: contrasted domains in Beethoven's middle period F-major and E-minor works / Barbara Barry
  • Schooling the Quintjäger / David B. Levy
  • Cue-staff annotations in Beethoven's piano works: reflections and examples from the autograph of the Piano Sonata, Opus 101 / Federica Rovelli
  • Another little buck out of its stable / Richard Kramer
  • Beethoven's Cavatina, Haydn's Seasons, and the thickness of inscription / Elaine Sisman.

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