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The New Beethoven : Evolution, Analysis, Interpretation /

"Beethoven's music stands as a universal symbol of personal and artistic achievement. As we reach and then surpass the 250th anniversary of the composer's birth, Jeremy Yudkin has commissioned a collection of new essays from some of the most insightful writers on Beethoven's acco...

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Detalles Bibliográficos
Otros Autores: Lockwood, Lewis (honouree.), Yudkin, Jeremy (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Rochester, NY : University of Rochester Press, 2020.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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020 |a 9781787448124 
035 |a (OCoLC)1191824222 
040 |a MdBmJHUP  |c MdBmJHUP 
245 0 4 |a The New Beethoven :   |b Evolution, Analysis, Interpretation /   |c edited by Jeremy Yudkin. 
264 1 |a Rochester, NY :  |b University of Rochester Press,  |c 2020. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©2020. 
300 |a 1 online resource (572 pages):   |b illustrations, musics ; 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Eastman studies in music 
500 |a "This book was conceived, planned, organized, edited, and produced for Lewis Lockwood on the occasion of his ninetieth Birthday" -- from preface. 
505 0 0 |g Chronological bibliography of books, articles, book chapters, and musical editions by Lewis Lockwood --  |g Introduction /  |r Jeremy Yudkin --  |g Part one:  |t A creative life.  |t Of deserters and orphans: Beethoven's early exposure to the Operas-Comiques of Monsigny /  |r Steven M. Whiting --  |t "A really excellent and capable man": Beethoven and Johann Traeg /  |r David Wyn Jones --  |t A four-leaf clover: a newly discovered cello, the premiere of the Ninth Symphony, Beethoven's circle of friends in Bonn, and a corrected edition of the song "Ruf vom Berge," WoO 147 /  |r Michael Ladenburger --  |t "Where thought touches the blood": rhythmic disturbance as physical realism in Beethoven's creative process /  |r Bruce Adolphe --  |t The sanctification of Beethoven in 1827-28 /  |r Christopher Reynolds --  |g Part two:  |t Prometheus / Eroica.  |t The Prometheus theme and Beethoven's shift from avoidance to embrace of possibilities /  |r Alan Gosman --  |t Beethoven at Heiligenstadt in 1802: deconstruction, integration, and creativity /  |r William Kinderman --  |t "Mit Verstärkung des Orchesters": the orchestra personnel at the first public performance of Beethoven's Eroica /  |r Theodore Albrecht --  |g Part three:  |t Masses.  |t "Aber lieber Beethoven, was haben Sie denn wieder da gemacht?" Observations on the performing parts for the premiere of Beethoven's Mass in C, Opus 86 /  |r Jeremiah W. McGrann --  |t Heart to heart: Beethoven, Archduke Rudolph, and the Missa solemnis /  |r Mark Evan Bonds --  |t God and the voice of Beethoven /  |r Scott Burnham --  |g Part four:  |t Quartets.  |t "So here I am, in the middle way": the autograph of the "Harp" Quartet and the expressive domain of Beethoven's second maturity /  |r M. Lucy Turner --  |t Meaningful details: expressive markings in Beethoven manuscripts, with a focus on Opus 127 /  |r Nicholas Kitchen --  |t The autograph score of the slow movement of Beethoven's last quartet, Opus 135 /  |r Barry Cooper --  |t Early German-language reviews of Beethoven's late string quartets /  |r Robin Wallace --  |g Part five:  |t Explorations.  |t Three movements or four? The scherzo movements in Beethoven's early sonatas /  |r Erica Buurman --  |t Utopia and dystopia revisited: contrasted domains in Beethoven's middle period F-major and E-minor works /  |r Barbara Barry --  |t Schooling the Quintjäger /  |r David B. Levy --  |t Cue-staff annotations in Beethoven's piano works: reflections and examples from the autograph of the Piano Sonata, Opus 101 /  |r Federica Rovelli --  |t Another little buck out of its stable /  |r Richard Kramer --  |t Beethoven's Cavatina, Haydn's Seasons, and the thickness of inscription /  |r Elaine Sisman. 
520 |a "Beethoven's music stands as a universal symbol of personal and artistic achievement. As we reach and then surpass the 250th anniversary of the composer's birth, Jeremy Yudkin has commissioned a collection of new essays from some of the most insightful writers on Beethoven's accomplishments and brought them together in this remarkable volume. Filled with careful explanations, this book gives us completely new insights into music known and loved by people around the world. Ordinary music lovers as well as scholars will find countless new discoveries about Beethoven and his music. Listeners will hear his compositions afresh, and scholars will find new results of research and analysis and new avenues for discovery. Topics include Beethoven's cultural milieu, his personal life, his friends, his publishers, his instruments, his working methods, his own handwritten scores, and, of course, his music. Many works are carefully discussed and explained in ways that reveal fascinating and previously unknown aspects of compositions that we thought we knew well. A landmark publication for all who admire some of the greatest music of our civilization" -- provided by the publisher. 
588 |a Description based on print version record. 
600 1 7 |a Beethoven, Ludwig van,  |d 1770-1827.  |2 fast  |0 (OCoLC)fst00042803 
600 1 0 |a Beethoven, Ludwig van,  |d 1770-1827  |x Criticism and interpretation. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
700 1 |a Lockwood, Lewis,  |e honouree. 
700 1 |a Yudkin, Jeremy,  |e editor. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/79652/ 
945 |a Project MUSE - Custom Collection