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Soundworks : Race, Sound, and Poetry in Production /
"Soundworks takes the many recorded collaborations between African American poets and musicians associated with the long Black Arts era (late-1950s through mid-1970s) as the occasion to reframe the object of black sound studies as the product of material, technical, sensual, and ideological for...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2021.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_79361 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905052158.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 200928s2021 ncu o 00 0 eng d | ||
| 010 | |z 2020027633 | ||
| 020 | |a 9781478012795 | ||
| 020 | |z 9781478010210 | ||
| 020 | |z 9781478011279 | ||
| 035 | |a (OCoLC)1200037155 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Reed, Anthony, |d 1978- |e author. | |
| 245 | 1 | 0 | |a Soundworks : |b Race, Sound, and Poetry in Production / |c Anthony Reed. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2021. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2021. | |
| 300 | |a 1 online resource (280 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Refiguring american music | |
| 505 | 0 | |a Introduction: Black: Sonic: Textuality -- One: Voice Prints: Toward a Black Media Concept -- Two: Communities in Transition: A Poetics of Black Communism -- Three: Tomorrow Is the Question! Amiri Baraka's Poetics for a Post-Revolutionary -- Age -- Four: Body/Language: The Semiotics and Poetics of Improvisation and Black -- Embodiment -- Coda: No Simple Explanations | |
| 520 | |a "Soundworks takes the many recorded collaborations between African American poets and musicians associated with the long Black Arts era (late-1950s through mid-1970s) as the occasion to reframe the object of black sound studies as the product of material, technical, sensual, and ideological forces. Through new interpretations of Langston Hughes, Charles Mingus, Amiri Baraka, and the disparate experimental modes of "free jazz" practiced by Archie Shepp, Matana Roberts, Cecil Taylor, Jeanne Lee, and Jayne Cortez, Soundworks recovers the visionary world-making impulses encoded in the poetics of experimental practice and the alternative forms of communal and individual being to which those practices correspond"-- |c Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Music and literature. |2 fast |0 (OCoLC)fst01030479 | |
| 650 | 7 | |a Jazz. |2 fast |0 (OCoLC)fst00982165 | |
| 650 | 7 | |a American poetry |x African American authors. |2 fast |0 (OCoLC)fst00807349 | |
| 650 | 7 | |a African Americans. |2 fast |0 (OCoLC)fst00799558 | |
| 650 | 0 | |a Jazz |y 20th century |x History and criticism. | |
| 650 | 0 | |a African Americans |z United States |v Music |x History |y 20th century. | |
| 650 | 0 | |a American poetry |z United States |x African American authors |x History |y 20th century. | |
| 650 | 0 | |a Music and literature |z United States |x History |y 20th century. | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/79361/ |
| 945 | |a Project MUSE - Custom Collection | ||