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When Sunday Comes : Gospel Music in the Soul and Hip-Hop Eras /
"Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel focuses on musicians like Yolanda Adams, Andrae Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Urbana :
University of Illinois Press,
[2020]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Lord Let Me Be an Instrument : The Artistry and Cultural Politics of Reverend James Cleveland
- A Special Kind of Witness : Andrae Crouch, the Growth of Contemporary Christian Music, and the Politics of Race 2
- Hold My Mule : Shirley Caesar and the Gospel of the New South
- A Wonderful Change : Walter Hawkins and the Love Alive Explosion
- Higher Plane : The Gospel According to Al Green
- The Only Thing Right Left in a Wrong World: The Clark Sisters, the Winans, Commissioned, and the Search for Cultural Authority in the 1980s
- If I Be Lifted : Milton Brunson and the Thompson Community Singers
- Through It All : Vanessa Bell Armstrong and the Perils of Crossover
- Hold Up the Light : The Crossover Success of BeBe and CeCe Winans
- Outside the County Line : The Southern Soul of John P. Kee
- We Are the Drum : Take 6, the Sounds of Blackness, and the New Black Aesthetic
- Epilogue. Do You Want a Revolution? Kirk Franklin, Yolanda Adams, and the Beginning of a New Era in Gospel Music.