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The Poetics of Plants in Spanish American Literature /

"The Poetics of Plants in Spanish American Literature examines the defining role of plants in cultural expression across Latin America, particularly in literature. From the colonial georgic to Pablo Neruda's Canto general, Lesley Wylie's close study of botanical imagery demonstrates t...

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Detalles Bibliográficos
Autor principal: Wylie, Lesley (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Pittsburgh : University of Pittsburgh Press, [2020]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Wylie, Lesley,  |e author. 
245 1 4 |a The Poetics of Plants in Spanish American Literature /   |c Lesley Wylie. 
264 1 |a Pittsburgh :  |b University of Pittsburgh Press,  |c [2020] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©[2020] 
300 |a 1 online resource (295 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Illuminations: cultural formations of the Americas series 
505 0 |a Introduction: The poetics of plants in Spanish American literature -- "Salve, fecunda zona!" : sugar, soy, and the limits of the Spanish American georgic -- Plants and plantations : floriography, femininity, and the horticulture of hair in Sab and María -- "Nacido de árboles" : Carpentier's vegetal baroque -- What is it like to be a tree? Anthropomorphism, phytomorphism, and Spanish American culture -- "No termino en mí mismo" : "Vegetal-thinking" in Pablo Neruda. 
520 |a "The Poetics of Plants in Spanish American Literature examines the defining role of plants in cultural expression across Latin America, particularly in literature. From the colonial georgic to Pablo Neruda's Canto general, Lesley Wylie's close study of botanical imagery demonstrates the fundamental role of the natural world and the relationship between people and plants in the region. Plants are also central to literary forms originating in the Americas, such as the New World Baroque, described by Alejo Carpentier as "nacido de árboles." The book establishes how vegetal imaginaries are key to Spanish American attempts to renovate European forms and traditions as well as to the reconfiguration of the relationship between humans and nonhumans. Such a reconfiguration, which persistently draws on indigenous animist ontologies to blur the boundaries between people and plants, anticipates much contemporary ecological thinking about our responsibility towards nonhuman nature and shows how environmental thinking by way of plants has a long history in Latin American literature"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Spanish American literature.  |2 fast  |0 (OCoLC)fst01128195 
650 7 |a Plants in literature.  |2 fast  |0 (OCoLC)fst01066136 
650 7 |a Human-plant relationships in literature.  |2 fast  |0 (OCoLC)fst01903531 
650 7 |a Human ecology in literature.  |2 fast  |0 (OCoLC)fst00962998 
650 0 |a Human-plant relationships in literature. 
650 0 |a Human ecology in literature. 
650 0 |a Plants in literature. 
650 0 |a Spanish American literature  |x History and criticism. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/78982/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2020 Complete 
945 |a Project MUSE - 2020 Global Cultural Studies