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Chaucer's Polyphony : The Modern in Medieval Poetry /
Geoffrey Chaucer has long been considered by the critics as the father of English poetry. However, this notion not only tends to forget a huge part of the history of Anglo-Saxon literature but also ignore the specificities of Chaucer's style - if Chaucer cannot be thought of as the father of En...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
[Kalamazoo] :
Medieval Institute Publications,
[2020]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Polyphony and Multilingualism in Medieval England. England in the First Days of Old English ; Norman Invasion, Multilingualism, and Chaucer's English
- Fin'amor, Stil Novo: Chaucer's Early Influences. Chretien de Troyes and the Novelistic Genre ; From Chretien to the Roman de la Rose ; Dolce Stil Novo ; Chaucer's First Influences
- Narrative Evolution and New Discursive Strategies. The Book of the Duchess ; The House of Fame ; From Anelida and Arcite to The Parliament of Fowls
- Troilus and Criseyde and the Ambiguity of Double Enunciation. Reprocessing Boccaccio's Alostrato ; Double Enunciation: Introducing Dante in Il Filostrato ; Dialogism and Mediation ; Resisting Closure and Refusing Judgment
- Hybridization and the Legend of Chaucer's Inventiveness. Dream Vision and Narrative Poetry ; The Legend of Good Women and Chaucer's Exercise in Style ; Counterbalancing Pathos with Comedy ; From Parody to Irony ; Narrative Posture and Ironic Conclusion
- Extradiegeiic Dialogue in The Canterbury Tales. General Prologue: Characterization, Drama, and the Theatrical ; Dialogism in The Canterbury Tales and the Chaucer Pilgrim ; Extradiegetic Dialogue.