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MdBmJHUP |
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20230905052111.0 |
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m o d |
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180730r20202018enk o 00 0 eng d |
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|a 9781526153661
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|z 9781526125767
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|z 9781526125750
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|a (OCoLC)1232850695
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|a MdBmJHUP
|c MdBmJHUP
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|a Perspectives on contemporary printmaking :
|b Critical writing since 1986 /
|c edited by Ruth Pelzer-Montada.
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| 264 |
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1 |
|a Manchester :
|b Manchester University Press,
|c [2020?]
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| 264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2021
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| 264 |
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4 |
|c ©[2020?]
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| 300 |
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|a 1 online resource (368 pages):
|b illustrations
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 500 |
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|a Originally published in print: 2018.
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|a Part I: Genealogy -- Part II: Debates -- Part III: Keywords -- Part IV: The field.
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|a Part I: Genealogy -- Fragments for an art history of media: electr(on)ic thinking (1997) / Beat Wyss -- The technical gaze: the parallel world of photography (2003) / Ernst Rebel -- Post-print culture? (2013) / Frances Robertson
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|a Part II: Debates -- The syntax of the print: in search of an aesthetic context (1986) / Ruth Weisberg -- Sentences on printed art (1994) / Richard S. Field -- The re-vision of printmaking(1999) / Kathryn Reeves -- The shape of graphic art (2010) / Andrzrej Bednarczyk -- The graphic unconscious or the how and why of a print triennial (2011) / Jose Roca -- Print as other: the future is queer (2013) / Richard Harding -- The what and the why of print (2016) / Barbara Balfour
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| 505 |
0 |
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|a Part III: Keywords -- Coordinates of a history of the technical image 2003) / Ernst Rebel -- The status of the reproduction (1988) / Susan Lambert -- Benjamin's blindspot: aura and reproduction in the post-print age (2015) / Clare Humphries -- Are all multiples the same? The problematic nature of the limited edition (2015) / K. E. Gover -- Printing plates and pixel matrix: the mechanisation of memory (2010) / Frieder Nake -- Opening up an anachronistic point of view (1997) / Georges Didi-Huberman -- Untying the knot: memory and forgetting in contemporary print work (2013) / Deidre Brollo -- Spirit duplication (2010) / Yara Flores -- Three ways to use yellow (2014) / Catherine Brooks -- On the manual (in the manual)
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| 505 |
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|a Part IV: The field -- Edinburgh Printmakers and the notion of the workshop (2007) / Daniel F. Herrmann -- Projects and portfolios: narrative and structure (1995) / Jeremy Lewison -- Lasting impressions? A museum perspective on digital fine art printmaking (2009) / Gill Saunders -- Print and the public sphere (2011) / Sheryl Conkelton -- The work event: art in the distributed field and systems of production (2013) / Johanna Drucker -- All the instruments agree (2010) / Eric Triantafillou -- Stamping (molding) marks: the San Juan Triennial tracking the new century (2004) / Mari Carmen Ramírez -- Chinese printmaking in the twenty-first century: new horizons and energies (2011) / Shang Hui -- What is 'studio' in the post-disciplinary age? (2011) / Matthew Perkins -- Making a place: art and a multi-modal, multi-disciplinary approach (2014) / Amanda Thomson -- Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir (2014) / R. L. Tillman.
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| 588 |
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|a Description based on print version record.
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| 650 |
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7 |
|a Prints.
|2 fast
|0 (OCoLC)fst01076812
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| 650 |
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7 |
|a Printmakers.
|2 fast
|0 (OCoLC)fst01076809
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| 650 |
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7 |
|a Prints
|x Technique.
|2 fast
|0 (OCoLC)fst01076838
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| 650 |
|
7 |
|a ART / Techniques / Printmaking.
|2 bisacsh
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| 650 |
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7 |
|a DESIGN
|x Graphic Arts
|x General.
|2 bisacsh
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| 650 |
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7 |
|a CRAFTS & HOBBIES
|x Printmaking.
|2 bisacsh
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| 650 |
|
7 |
|a ART
|x Techniques
|x Printmaking.
|2 bisacsh
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| 650 |
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0 |
|a Prints
|x Technique.
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| 650 |
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0 |
|a Printmakers.
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| 650 |
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0 |
|a Prints.
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| 655 |
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7 |
|a Electronic books.
|2 local
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| 700 |
1 |
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|a Pelzer-Montada, Ruth.
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| 710 |
2 |
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|a Project Muse.
|e distributor
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| 830 |
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0 |
|a Book collections on Project MUSE.
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| 856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/78518/
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| 945 |
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|a Project MUSE - Custom Collection
|
