Ekphrastic encounters : New interdisciplinary essays on literature and the visual arts /
This book offers a comprehensive reassessment of ekphrasis: the verbal representation of visual art. Ekphrasis has been traditionally regarded as a form of paragone (competition) between word and image. This interdisciplinary collection of essays seeks to complicate this critical paradigm and propos...
Otros Autores: | , |
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Manchester :
Manchester University Press,
2019
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Colección: | Book collections on Project MUSE.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: from paragone to encounter / David Kennedy and Richard Meek
- Part I: Early modern encounters : 1. 'Lamentable objects': ekphrasis and historical materiality in Shakespeare's The Rape of Lucrece / Rachel Eisendrath
- 2. 'Fabulously counterfeit': ekphrastic encounters in Kyd's The Spanish Tragedy / Richard Meek
- 3. 'Art indeed is long, but life is short': ekphrasis and mortality in Andrew Marvell / Keith McDonald
- 4. 'The Painter has made a finer Story than the Poet': Jonathan Richardson's ekphrastic 'Dissertation' on Poussin's Tancred and Erminia / Jason Lawrence
- Part II: Nineteenth-century encounters : 5. Blind spots of narration? Ekphrasis and Laocoön digressions in the novel / Catriona MacLeod
- 6. The face of Beatrice Cenci / Stephen Cheeke
- 7. Mirroring naturalism in word and image: a critical exchange between Émile Zola and Édouard Manet / Lauren S. Weingarden
- 8. Close encounters of the third kind: Hamo Thornycroft's The Mower and Matthew Arnold's 'Thyrsis' / Jane Thomas
- Part III: Modern and postmodern encounters : 9. An artist of the bizarre: Stanley Spencer's 'ordinary' ekphrases / Lilliane Louvel
- 10. The graphics of ekphrastic writing: Raymond Pettibon's drawing-writing / Tilo Reifenstein
- 11. Ekphrasis/exscription: Jean-Luc Nancy on thinking and touching art / Johanna Malt
- 12. On gazers' encounters with visual art: ekphrasis, readers, 'iconotexts' / Claus Clüver
- Afterword / James A.W. Heffernan.