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Catherine Breillat /

This is the first English-language book on controversial female director Catherine Breillat, whose films include Romance, A ma soeur! (Fat Girl), Anatomy of Hell and The Last Mistress. This volume explores the director's complex relation to religion and to feminism, and it examines the differen...

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Detalles Bibliográficos
Autor principal: Keesey, Douglas (Autor)
Otros Autores: Ingram, Robert (Editor ), Holmes, Diana (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2016.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Keesey, Douglas,  |e author. 
245 1 0 |a Catherine Breillat /   |c Douglas Keesey. 
264 1 |a Manchester :  |b Manchester University Press,  |c 2016. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©2016. 
300 |a 1 online resource (192 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a French Film Directors Series 
490 0 |a Manchester Film Studies 
500 |a List of plates Series editors' foreword Acknowledgements Introduction 1. Female virgins and the shaming gaze 2. Sisters as one soul in two bodies 3. Masculine tendencies and macho violence 4. Staging masochism, facing shame Conclusion Filmography Select bibliography Index. 
500 |a Previously issued in print: 2009. 
505 0 |a List of plates -- Series editors' foreword -- Acknowledgements -- Introduction -- 1. Female virgins and the shaming gaze -- 2. Sisters as one soul in two bodies -- 3. Masculine tendencies and macho violence -- 4. Staging masochism, facing shame -- Conclusion -- Filmography -- Select bibliography -- Index. 
520 |a This is the first English-language book on controversial female director Catherine Breillat, whose films include Romance, A ma soeur! (Fat Girl), Anatomy of Hell and The Last Mistress. This volume explores the director's complex relation to religion and to feminism, and it examines the differences between Breillat's films and patriarchal pornography, engaging in detailed analysis of her intimate scenes between men and women. Keesey also discusses the literature, films, paintings and photos that have influenced Breillat's work, and extends this to show how Breillat's films have influenced other. 
546 |a In English. 
588 |a Description based on print version record. 
600 1 7 |a Breillat, Catherine.  |2 fast  |0 (OCoLC)fst00454451 
600 1 0 |a Breillat, Catherine  |x Criticism and interpretation 
650 7 |a LITERARY CRITICISM  |x European  |x General.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a Film Scripts & Screenplays.  |2 bicssc 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
700 1 |a Ingram, Robert,  |e editor. 
700 1 |a Holmes, Diana,  |e editor. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/78477/ 
945 |a Project MUSE - Custom Collection