|
|
|
|
LEADER |
00000cam a22000004a 4500 |
001 |
musev2_78288 |
003 |
MdBmJHUP |
005 |
20230905052058.0 |
006 |
m o d |
007 |
cr||||||||nn|n |
008 |
190905s2020 mau o 00 0 eng d |
010 |
|
|
|z 2019019891
|
020 |
|
|
|a 9781613767160
|
020 |
|
|
|z 9781613767177
|
020 |
|
|
|z 9781625344748
|
020 |
|
|
|z 9781625344731
|
035 |
|
|
|a (OCoLC)1199128194
|
040 |
|
|
|a MdBmJHUP
|c MdBmJHUP
|
043 |
|
|
|a n-us--
|
050 |
0 |
4 |
|a PS169.P34
|b S46 2020
|
082 |
0 |
|
|a 676.0973
|2 23
|
100 |
1 |
|
|a Senchyne, Jonathan,
|e author.
|
245 |
1 |
4 |
|a The Intimacy of Paper in Early and Nineteenth-Century American Literature /
|c Jonathan Senchyne.
|
264 |
|
1 |
|a Amherst :
|b University of Massachusetts Press,
|c [2020]
|
264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2020
|
264 |
|
4 |
|c ©[2020]
|
300 |
|
|
|a 1 online resource (212 pages):
|b illustrations ;
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
0 |
|
|a Studies in print culture and the history of the book
|
504 |
|
|
|a Includes bibliographical references (pages 167-186) and index.
|
505 |
0 |
|
|a Chapter 1: Paper Publics and Material Textual Affiliations in American Print Culture -- Chapter 2: The Gender of Rag Paper in Anne Bradstreet and Lydia Sigourney -- Chapter 3: The Ineffable Socialities of Rags in Henry David Thoreau and Herman Melville -- Chapter 4: The Whiteness of the Page: Racial Legibility and Authenticity.
|
520 |
|
|
|a "The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race"--
|c Provided by publisher.
|
588 |
|
|
|a Description based on print version record.
|
650 |
|
0 |
|a Paper industry
|x Social aspects
|x History.
|
650 |
|
0 |
|a Printing
|x Social aspects
|x History.
|
650 |
|
0 |
|a Books
|x Social aspects
|x History.
|
650 |
|
0 |
|a Papermaking
|z United States
|x History.
|
650 |
|
0 |
|a Paper in literature.
|
650 |
|
0 |
|a American literature
|x History and criticism.
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
|
|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/78288/
|
945 |
|
|
|a Project MUSE - Custom Collection
|
945 |
|
|
|a Project MUSE - 2020 Complete
|
945 |
|
|
|a Project MUSE - 2020 Literature
|