Cargando…
Outside and Inside : Race and Identity in White Jazz Autobiography /
"Outside and Inside: Representations of Race and Identity in White Jazz Autobiography is the first full-length study of key autobiographies of white jazz musicians. White musicians from a wide range of musical, social, and economic backgrounds looked to black music and culture as the model on w...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Jackson :
University Press of Mississippi,
2020.
|
| Colección: | American made music series.
Book collections on Project MUSE. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_78182 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905052051.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 200630s2020 msu o 00 0 eng d | ||
| 010 | |z 2020014526 | ||
| 020 | |a 9781496830029 | ||
| 020 | |z 9781496829979 | ||
| 020 | |z 9781496829986 | ||
| 035 | |a (OCoLC)1163943519 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 050 | 0 | 4 | |a ML3508 |
| 082 | 0 | |a 781.65089/09 |2 23 | |
| 100 | 1 | |a Marin, Reva, |e author. | |
| 245 | 1 | 0 | |a Outside and Inside : |b Race and Identity in White Jazz Autobiography / |c Reva Marin. |
| 264 | 1 | |a Jackson : |b University Press of Mississippi, |c 2020. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2020. | |
| 300 | |a 1 online resource (296 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a American made music series | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a The authenticating collaborators of white jazz autobiography -- Bob Wilber, the Westchester kid : white privilege and perspectives on jazz belonging -- Race and place and the construction of jazz authenticity : New Orleanian autobiographers Tom Sancton and "Wingy" Manone -- Representations of identity in Jewish jazz autobiography -- Don Asher's fictional-real jazz world -- "Straight Life" : The jazz journey of Art Pepper. | |
| 520 | |a "Outside and Inside: Representations of Race and Identity in White Jazz Autobiography is the first full-length study of key autobiographies of white jazz musicians. White musicians from a wide range of musical, social, and economic backgrounds looked to black music and culture as the model on which to form their personal identities and their identities as professional musicians. Their accounts illustrate the triumphs and failures of jazz interracialism. As they describe their relationships with black musicians who are their teachers and peers, white jazz autobiographers display the contradictory attitudes of reverence and entitlement, and deference and insensitivity that remain part of the white response to black culture to the present day. Outside and Inside features insights into the development of jazz styles and culture in the urban meccas of twentieth-century jazz in New Orleans, Chicago, New York, and Los Angeles. Reva Marin considers the autobiographies of sixteen white male jazz instrumentalists, including renowned swing-era bandleaders Benny Goodman, Artie Shaw, and Charlie Barnet; reed instrumentalists Mezz Mezzrow, Bob Wilber, and Bud Freeman; trumpeters Max Kaminsky and Wingy Manone; guitarist Steve Jordan; pianists Art Hodes and Don Asher; saxophonist Art Pepper; guitarist and bandleader Eddie Condon; and New Orleans-style clarinetist Tom Sancton. While critical race theory informs this work, Marin argues that viewing these texts simply through the lens of white privilege does not do justice to the kind of sustained relationships with black music and culture described in the accounts of white jazz autobiographers. She both insists upon the value of insider perspectives and holds the texts to rigorous scrutiny, while embracing an expansive interpretation of white involvement in black culture. Marin opens new paths for study of race relations and racial, ethnic, and gender identity formation in jazz studies"-- |c Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Music and race |z United States. | |
| 650 | 0 | |a Jazz |x History and criticism. | |
| 650 | 0 | |a Jazz musicians |z United States |x Biography |x History and criticism. | |
| 650 | 0 | |a Jazz musicians, White |z United States |x Biography |x History and criticism. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 776 | 1 | 8 | |i Print version: |a Marin, Reva. |t Outside and inside |d Jackson : University Press of Mississippi, 2020. |z 9781496829979 |w (DLC) 2020014525 |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a American made music series. | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/78182/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2020 Complete | ||
| 945 | |a Project MUSE - 2020 Global Cultural Studies | ||