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American Gamelan and the Ethnomusicological Imagination /

"Gamelan and American academic institutions have maintained their close association for more than sixty years. Elizabeth A. Clendinning illuminates what it means to devote one's life to world music ensemble education by examining the career and community surrounding the Balinese-American p...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Clendinning, Elizabeth A., 1987- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, 2020.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Clendinning, Elizabeth A.,  |d 1987-  |e author. 
245 1 0 |a American Gamelan and the Ethnomusicological Imagination /   |c Elizabeth A. Clendinning. 
264 1 |a Urbana :  |b University of Illinois Press,  |c 2020. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2020. 
300 |a 1 online resource (264 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 |a Interlocking Sounds, Interlocking Communities -- Early Encounters in Bimusicality -- From Bali to America : Teachers and Transitions -- Creating and Conceptualizing a Balinese American Gamelan Community -- Teaching, Learning, Representing -- Americans Learning Gamelan in Bali -- Kembali : To Return or Change -- Bimusicality and Beyond -- Sustainability and the Academic World Music Ensemble -- Cultivating New Flowers. 
520 |a "Gamelan and American academic institutions have maintained their close association for more than sixty years. Elizabeth A. Clendinning illuminates what it means to devote one's life to world music ensemble education by examining the career and community surrounding the Balinese-American performer and teacher I Made Lasmawan. Weaving together stories of Indonesian and American practitioners, colleagues, and friends, Clendinning shows the impact of academic world music ensembles on the local and transnational communities devoted to education and the performing arts. While arguing for the importance of such ensembles, Clendinning also spotlights how performers and educators use them to create stable and rewarding artistic communities. Cross-cultural ensemble education emerges as a worthy goal for students and teachers alike, particularly at a time when people around the world express more enthusiasm about raising walls to keep others out rather than building bridges to invite them in"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 0 |a Music  |z United States  |x Indonesian influences. 
650 0 |a Gamelan  |x Instruction and study  |z United States  |x History. 
650 0 |a Ethnomusicology  |z United States. 
650 0 |a Gamelan  |z United States. 
655 7 |a Electronic books.   |2 local 
776 1 8 |i Online version:  |a Clendinning, Elizabeth A., 1987-  |t American gamelan and the ethnomusicological imagination  |d Urbana : University of Illinois Press, 2020.  |z 9780252052262  |w (DLC) 2020011742 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/78173/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2020 Archaeology and Anthropology 
945 |a Project MUSE - 2020 Complete