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Postcolonial Hangups in Southeast Asian Cinema : Poetics of Space, Sound, and Stability /
Postcolonial Hangups in Southeast Asian Cinema explores a geopolitically situated set of cultures negotiating unique relationships to colonial history. These particular Singaporean, Malaysian, and Indonesian identities are discussed through a variety of commercial films, art cinema, and experimental...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baltimore, Maryland :
Project Muse,
2020
|
| Colección: | Critical Asian cinemas.
Book collections on Project MUSE. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 040 | |a MdBmJHUP |c MdBmJHUP | ||
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| 050 | 4 | |a PN1993.5.S644 |b S56 2020 | |
| 082 | 0 | |a 791.430959 |2 23 | |
| 100 | 1 | |a Sim, Gerald, |e author. | |
| 245 | 1 | 0 | |a Postcolonial Hangups in Southeast Asian Cinema : |b Poetics of Space, Sound, and Stability / |c Gerald Sim. |
| 264 | 1 | |a Baltimore, Maryland : |b Project Muse, |c 2020 | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (224 pages): |b illustrations, maps. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Critical Asian cinemas | |
| 500 | |a Issued as part of book collections on Project MUSE. | ||
| 504 | |a Includes bibliographical references (pages [235]-250) and index. | ||
| 505 | 0 | |a Postcolonial spatiality : Singapore maps its cinema -- Reorienting film history spatially : finding Singapore in the impossibilities of Tan Pin Pin -- Postcolonial cacophonies : Malaysia senses the world -- Postcolonial myths : Indonesia Americanizes stability. | |
| 506 | |a Access restricted to authorized users and institutions. | ||
| 520 | |a Postcolonial Hangups in Southeast Asian Cinema explores a geopolitically situated set of cultures negotiating unique relationships to colonial history. These particular Singaporean, Malaysian, and Indonesian identities are discussed through a variety of commercial films, art cinema, and experimental work. It discovers instances of postcoloniality that manifest stylistically through Singapore's preoccupations with space, the importance of sound to Malay culture, and the Indonesian investment in genre. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Culture in motion pictures. | |
| 650 | 0 | |a Space in motion pictures. | |
| 650 | 0 | |a Motion pictures |z Southeast Asia |x History |y 20th century. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse, |e distributor. | |
| 776 | 1 | 8 | |i Print version: |z 9789463721936 |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Critical Asian cinemas. | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/77748/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2020 Complete | ||
| 945 | |a Project MUSE - 2020 Global Cultural Studies | ||