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Innovation in the Italian Counter-Reformation /

"The enduring "black legend" of the Italian Counter-Reformation, which has held sway in both scholarly and popular culture, maintains that the Council of Trent (1545-1563) ushered in a cultural dark age in Italy, snuffing out the spectacular creative production of the Renaissance. The...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: McHugh, Shannon (Editor ), Wainwright, Anna (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newark : University of Delaware Press, 2020.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Preface / Amedeo Quondam
  • Foundations. Virginia Cox: Re-Thinking Counter-Reformation Literature
  • Lisa Bourla: Scientific Discovery in Florentine Painting of the Counter-Reformation: Cigoli's Martyrdom of St. Lawrence (1590) and Stigmatizations of St. Francis (1596 and 1602)
  • Gender. Gerry Milligan: The Armed Maiden of the Sixteenth Century and the Unmaking of Tasso's Clorinda
  • Anna Wainwright: The Fair Warrior in the City of Florence: Maddalena Salvetti's Poems to Christine of Lorraine
  • Shannon McHugh: Devotion, Desire, and Masculinity in the Spiritual Verse of Angelo Grillo
  • Theater. Eugenio Refini: Reforming Drama: Theater as Spiritual Practice in the Works of Fabio Glissenti
  • Lisa Sampson: "Deggio ferma tener la santa fede": Representing the Priest in Pastoral Drama in Counter-Reformation Italy
  • Sarah Gwyneth Ross: Playing Milan: Secular Drama, Sacred Reform, and the Family Andreini
  • Bologna: A City Case Study. Gabriella Zarri: Bologna, Marian City in the Drawings of Francesco Cavazzoni (1559-1616)
  • Monica Calabritto: Violence in Early Modern Bologna: A Provsional Appraisal
  • Emotion and Expression. Armando Maggi: Tasso's Poetic Self-Commentary, His Dialogues, and a New Philosophical Syncretism: The Last Phase of the Renaissance Love Treatises
  • Joseph Perna: Girolamo Mei, Early Opera, and Experience
  • Lynn Westwater: "Sottoporsi agli occhi del mondo nelle stampe": Sarra Copia Sulam and the Venetian Press.