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China with a Cut : Globalisation, Urban Youth and Popular Music /
In the wake of intense globalisation and commercialisation in the 1990s, China saw the emergence of a vibrant popular culture. Drawing on sixteen years of research, Jeroen de Kloet explores the popular music industry in Beijing, Hong Kong and Shanghai, providing a fascinating history of its emergenc...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
2010.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Machine generated contents note: Cosmopolitan Poses and Haunting Questions
- From Liumang to Dakou and Balinghou
- Geography of Chinese Rock
- This Book
- 1. Hard Scenes
- Scenic Move
- Underground
- Heavy Metal
- Hardcore Punk
- Hip-hop
- Interim
- 2. Hyphenated Scenes
- Multiplicity
- Folk-rock
- Pop-rock
- Pop-punk
- Fashionable Bands
- Ending a Scenic Journey
- 3. Subaltern Sounds
- Marginal Voices
- Gendering Music
- Southern Vices
- Seductive Sounds
- Femininity, Locality and Opacity
- 4. Musical Taste and Technologies of the Self
- Music and Society
- Youth in Fin-de-siecle Beijing
- Music Preferences and Involvement
- Gendered Self
- Generational Differences
- Place and Belonging
- Building Subjectivity
- Political Self
- Technology and Control
- 5. Producing, Localising and Silencing Sounds
- Seductive Narratives
- Market Fantasies
- Cultural Be/Longings
- Silencing Sounds
- Commercial Complexities
- Conclusion: Paradoxical Performances
- Mirrors
- Deparadoxicalisation
- Sonic Hierarchies
- Binary Socialism.