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China with a Cut : Globalisation, Urban Youth and Popular Music /
In the wake of intense globalisation and commercialisation in the 1990s, China saw the emergence of a vibrant popular culture. Drawing on sixteen years of research, Jeroen de Kloet explores the popular music industry in Beijing, Hong Kong and Shanghai, providing a fascinating history of its emergenc...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
2010.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 006 | m o d | ||
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| 008 | 100728s2010 ne o 00 0 eng d | ||
| 010 | |z 2010379695 | ||
| 020 | |a 9789048511143 | ||
| 020 | |z 9789089641625 | ||
| 035 | |a (OCoLC)650493206 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Kloet, Jeroen de. | |
| 245 | 1 | 0 | |a China with a Cut : |b Globalisation, Urban Youth and Popular Music / |c Jeroen de Kloet. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c 2010. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2010. | |
| 300 | |a 1 online resource (256 pages): |b illustrations, map. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a IIAS publications series. Monographs ; |v 3 | |
| 505 | 0 | 0 | |g Machine generated contents note: |t Cosmopolitan Poses and Haunting Questions -- |t From Liumang to Dakou and Balinghou -- |t Geography of Chinese Rock -- |t This Book -- |g 1. |t Hard Scenes -- |t Scenic Move -- |t Underground -- |t Heavy Metal -- |t Hardcore Punk -- |t Hip-hop -- |t Interim -- |g 2. |t Hyphenated Scenes -- |t Multiplicity -- |t Folk-rock -- |t Pop-rock -- |t Pop-punk -- |t Fashionable Bands -- |t Ending a Scenic Journey -- |g 3. |t Subaltern Sounds -- |t Marginal Voices -- |t Gendering Music -- |t Southern Vices -- |t Seductive Sounds -- |t Femininity, Locality and Opacity -- |g 4. |t Musical Taste and Technologies of the Self -- |t Music and Society -- |t Youth in Fin-de-siecle Beijing -- |t Music Preferences and Involvement -- |t Gendered Self -- |t Generational Differences -- |t Place and Belonging -- |t Building Subjectivity -- |t Political Self -- |t Technology and Control -- |g 5. |t Producing, Localising and Silencing Sounds -- |t Seductive Narratives -- |t Market Fantasies -- |t Cultural Be/Longings -- |t Silencing Sounds -- |t Commercial Complexities -- |t Conclusion: Paradoxical Performances -- |t Mirrors -- |t Deparadoxicalisation -- |t Sonic Hierarchies -- |t Binary Socialism. |
| 520 | |a In the wake of intense globalisation and commercialisation in the 1990s, China saw the emergence of a vibrant popular culture. Drawing on sixteen years of research, Jeroen de Kloet explores the popular music industry in Beijing, Hong Kong and Shanghai, providing a fascinating history of its emergence and extensive audience analysis, while also exploring the effect of censorship on the music scene in China. China with a Cut pays particular attention to the dakou culture: so named after a cut nicked into the edge to render them unsellable, these illegally imported Western CDs still play most of the tracks. They also played a crucial role in the emergence of the new music and youth culture. De Kloet's impressive study demonstrates how the young Chinese cope with the rapid economic and social changes in a period of intense globalisation, and offers a unique insight into the socio-cultural and political transformations of a rising global power. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Music trade. |2 fast |0 (OCoLC)fst01030641 | |
| 650 | 7 | |a Music |2 fast |0 (OCoLC)fst01030269 | |
| 650 | 7 | |a Music audiences. |2 fast |0 (OCoLC)fst01030506 | |
| 650 | 7 | |a SOCIAL SCIENCE |x Ethnic Studies |x General. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 6 | |a Musique |x Publics |z Chine |x Histoire |y 20e siecle. | |
| 650 | 6 | |a Musique |x Industrie |z Chine |x Histoire |y 20e siecle. | |
| 650 | 0 | |a Music audiences |z China |x History |y 20th century. | |
| 650 | 0 | |a Music trade |z China |x History |y 20th century. | |
| 650 | 0 | |a Music |z China |y 20th century |x History and criticism. | |
| 651 | 7 | |a China. |2 fast |0 (OCoLC)fst01206073 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/77530/ |
| 945 | |a Project MUSE - Custom Collection | ||