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Asian Self-Representation at World's Fairs /
International expositions or "world's fairs" are the largest and most important stage on which millions routinely gather to directly experience, express, and respond to cultural difference. Rather than looking at Asian representation at the hands of colonizing powers, something alread...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baltimore, Maryland :
Project Muse,
2020
|
| Colección: | Asian visual cultures.
Book collections on Project MUSE. |
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 200828s2020 ne o 00 0 eng d | ||
| 020 | |a 9789048536788 | ||
| 035 | |a (OCoLC)1191777597 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 043 | |a a----- | ||
| 050 | 4 | |a T395.5.A78 |b P483 2020 | |
| 100 | 1 | |a Peterson, William, |d 1956- |e author. | |
| 245 | 1 | 0 | |a Asian Self-Representation at World's Fairs / |c William Peterson. |
| 264 | 1 | |a Baltimore, Maryland : |b Project Muse, |c 2020 | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (326 pages): |b illustrations (some color). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Asian visual cultures | |
| 500 | |a Issued as part of book collections on Project MUSE. | ||
| 504 | |a Includes bibliographical references (pages [295]-310) and index. | ||
| 505 | 0 | |a The master of the form -- The new China and Chinese-Americanness -- Performing Japan in the 'World of Tomorrow' -- From 'panda diplomacy' to acrobat diplomacy -- Fashion, dance, and representing the Filipina -- Performing modernity under Sukarno's 'roving eye' -- Maximizing affect, minimizing impact with Hansik -- Hard and soft power in the Thai pavilion. | |
| 506 | |a Access restricted to authorized users and institutions. | ||
| 520 | |a International expositions or "world's fairs" are the largest and most important stage on which millions routinely gather to directly experience, express, and respond to cultural difference. Rather than looking at Asian representation at the hands of colonizing powers, something already much examined, this book instead focuses on expressions of an empowered Asian self-representation at world's fairs in the West after the so-called golden age of the exhibition. New modes of representation became possible as the older "exhibitionary order" of earlier fairs gave way to a dominant "performative order," one increasingly preoccupied with generating experience and affect. Using case studies of national representation at selected fairs over the hundred-year period from 1915-2015, this book considers both the politics of representation as well as what happens within the imaginative worlds of Asian country pavilions, where the performative has become the dominant mode for imprinting directly on human bodies. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | |a Self-perception |z Asia. | |
| 650 | 0 | |a National characteristics, Asian. | |
| 650 | 0 | |a Exhibitions |z Asia |x History. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse, |e distributor. | |
| 776 | 1 | 8 | |i Print version: |z 9789462985636 |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Asian visual cultures. | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/77527/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2020 Complete | ||
| 945 | |a Project MUSE - 2020 Global Cultural Studies | ||