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musev2_77301 |
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MdBmJHUP |
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20230905051957.0 |
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m o d |
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cr||||||||nn|n |
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200815s1956 nju o 00 0 eng d |
| 020 |
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|a 9780691218366
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|z 9780691098289
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|z 9780691017594
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| 035 |
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|a (OCoLC)1273306853
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| 040 |
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|a MdBmJHUP
|c MdBmJHUP
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| 100 |
1 |
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|a Zuckerkandl, Victor,
|e author
|0 http://id.loc.gov/authorities/names/nr88001800
|1 http://viaf.org/viaf/121811405
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| 245 |
1 |
0 |
|a Sound and Symbol, Volume 1 :
|b Music and the External World /
|n Volume 1,
|p Music and the External World.
|p Music and the External World.
|n Volume 1,
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| 264 |
|
1 |
|a Princeton :
|b Princeton University Press,
|c 1956.
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| 264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2021
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| 264 |
|
4 |
|c ©1956.
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| 300 |
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|a 1 online resource (407 pages).
|
| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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| 490 |
0 |
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|a Bollingen Series (General) Ser. ;
|v v.655
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| 500 |
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|a Description based upon print version of record.
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| 505 |
0 |
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|a Cover Page -- Title Page -- Copyright Page -- Contents -- Foreword -- Tone -- I. The Dynamic Quality of Tone -- II. The Pulse Theory -- III. The System of Tones -- IV. Associationism -- V. The Three Components of Sense Perception -- VI. The Dynamic Symbol -- Motion -- Prefatory Note -- VII. The Paradox of Tonal Motion -- VIII. The True Motion of Tones -- Interval -- Scale -- Harmonic Ca dence -- IX. The Continuity of Tonal Motion -- Philosophical Considerations -- Psychological Considerations -- Musical Considerations -- X. The ""Third Stage -- Time -- XI. Meter and Rhythm
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| 505 |
0 |
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|a The Temporal Component of Music -- Musical Meter -- The Dynamic Quality of Meter -- Polarity and Intensification -- Clash with Philosophy -- Protectionism -- Rhythm as Experience of Time -- XII. The Musical Concept of Time -- Experienced Time -- Time Producing Events -- Time Knows No Equality of Parts -- Digression 1: Repetition in Music -- Time Knows Nothing of Transience -- Digression 11: Temporal Gestalt -- Are There Two Times? -- XIII. Tone as the Image of Time -- Space -- XIV. The ""Nonspatial"" Art -- XV. Is Space Audible? -- XVI. The Placeless, Flowing Space of Tones
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| 505 |
0 |
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|a XVII. The Order of Auditory Space -- Triad -- Scale -- Octave -- Ensemble -- XVIII. Space as Place and Space as Force -- XIX. A Last Word on High and Low in Tones -- XX. Summary and Prospect -- List of Works Cited -- Index
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| 588 |
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|a Description based on print version record.
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| 650 |
|
7 |
|a Music
|x Philosophy and aesthetics.
|2 fast
|0 (OCoLC)fst01030408
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| 650 |
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0 |
|a Music
|x Philosophy and aesthetics.
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| 655 |
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7 |
|a Electronic books.
|2 local
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| 700 |
1 |
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|a Trask, Willard R.
|1 http://viaf.org/viaf/11227739
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| 710 |
2 |
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|a Project Muse.
|e distributor
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| 830 |
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0 |
|a Book collections on Project MUSE.
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| 856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/77301/
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| 945 |
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|a Project MUSE - Custom Collection
|
