The End Of Cinema As We Know It : American Film in the Nineties /

Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Lewis, Jon, 1955-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : New York University Press, 2001.
Colección:Book collections on Project MUSE.
Temas:
Motion picture industry > United States > History > 20th century.
Motion pictures > United States > History > 20th century.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Machine generated contents note: I Movies, Money, and History
  • I The Blockbuster: Everything Connects, but Not
  • Everything Goes 11
  • Thomas Elsaesser
  • 2 Those Who Disagree Can Kiss Jack Valenti's Ass 23
  • Jon Lewis
  • 3 The Hollywood History Business 33
  • Jan-Christopher Horak
  • 4 The Man Who Wanted to Go Back 43
  • Murray Pomerance
  • II Things American (Sort Of)
  • 5 "American" Cinema in the 1990s and Beyond: Whose
  • Country's Filmmaking Is It Anyway? 53
  • Charlie Keil
  • 6 Marketing Marginalized Cultures: The Wedding Banquet,
  • Cultural Identities, and Independent Cinema of the 1990s 61
  • Justin Wyatt
  • 7 Hollywood Redux: All about My Mother and Gladiator 72
  • Hilary Radner
  • III Four Key Films
  • 8 The Zen of Masculinity-Rituals of Heroism in The Matrix 83
  • Pat Mellencamp
  • 9 Ikea Boy Fights Back: Fight Club, Consumerism, and the Political Limits of Nineties Cinema 95
  • Henry A. Giroux and Imre Szeman
  • I 0 The Blair Witch Project, Macbeth, and the Indeterminate End 105
  • Eric S. Mallin
  • I I Empire of the Gun: Steven Spielberg's Saving Private Ryan
  • and American Chauvinism 115
  • Frank P.Tomasulo
  • 12 Saving Private Ryan Too Late 131
  • Krin Gabbard
  • IV Pictures and Politics
  • 13 The Confusions of Warren Beatty 141
  • Dana Polan
  • 14 Movie Star Presidents 150
  • Thomas Doherty
  • 15 The Fantasy Image: Fixed and Moving 158
  • Maureen Turim
  • 16 Men with Guns: The Story John Sayles Can't Tell 168
  • Ralph E. Rodriguez
  • 17 The End of Chicano Cinema 175
  • Chon A. Noriega
  • V The End of Masculinity As We Know It
  • 18 Being Keanu 185
  • R. L. Rutsky
  • 19 Woody Allen, "the Artist," and "the Little Girl" 195
  • David R. Shumway
  • 20 Affliction: When Paranoid Male Narratives Fail 203
  • Marita Sturken
  • 21 The Phallus UnFetished: The End of Masculinity As We
  • Know It in Late-1990s "Feminist" Cinema 210
  • Alexandra Juhasz
  • VI Bodies at Rest and in Motion
  • 22 Bods and Monsters: The Return of the Bride of Frankenstein 225
  • ElizabethYoung
  • 23 Having Their Cake and Eating It Too: Fat Acceptance
  • Films and the Production of Meaning 237
  • Jerry Mosher
  • VII Independents
  • 24 A Rant 253
  • James Schamus
  • 25 The Case of Harmony Korine 261
  • Robert Sklar
  • 26 Where Hollywood Fears to Tread: Autobiography and
  • the Limits of Commercial Cinema 269
  • Kathleen McHugh
  • 27 Smoke 'til You're Blue in the Face 277
  • Murray Smith
  • VIII Not Films Exactly
  • 28 Pamela Anderson on the Slippery Slope 287
  • Chuck Kleinhans
  • 29 King Rodney: The Rodney King Video and Textual Analysis 300
  • Hamid Naficy
  • 30 Live Video 305
  • Laura U. Marks
  • IX Endgames
  • 31 End of Story: The Collapse of Myth in Postmoder
  • Narrative Film 319
  • Christopher Sharrett
  • 32 Waiting for the End of the World: Christian Apocalyptic
  • Media at the Turn of the Millennium 332
  • Heather Hendershot
  • 33 The Four Last Things: History, Technology, Hollywood,
  • Apocalypse 342
  • Paul Arthur
  • 34 Twenty-five Reasons Why It's All Over 356
  • Wheeler Winston Dixon.

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