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Journalism, Satire, and Censorship in Mexico /

Since the 2000 elections toppled the PRI, over 150 Mexican journalists have been murdered. Failed assassinations and threats have silenced thousands more. Such high levels of violence and corruption question one of the fundamental assumptions of modern societies, that democracy and press freedom are...

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Detalles Bibliográficos
Otros Autores: Smith, Benjamin T. (Editor ), Lettieri, Michael, 1983- (Editor ), Gillingham, Paul, 1973- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Albuquerque : University of New Mexico Press, 2018
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Notes for a history of the press in Mexico / Pablo Piccato
  • Journalists on trial: the press, censorship, and the law 1898-1920 / Ana María Serna Rodríguez
  • Changing opinions in La Opinión: Maximino Ávila Camacho and the Puebla Press, 1936-1941 / Andrew Paxman
  • The year Mexico stopped laughing: the crowd, satire, and censorship in Mexico City / Benjamin T. Smith
  • In the service of the Gremio: bus industry magazines, PRI corporatism, and the politics of trade publications / Michael Lettieri
  • The regional press boom, ca. 1945-1965: how much news was fit to print / Paul Gillingham
  • "The invisible tyranny"; or, the origin of the "perfect dictatorship" / Jacinto Rodríguez Munguía
  • The cartoons of Abel Quezada / Roderic Al Camp
  • Testing the limits of censorship?: Política magazine and the "perfect dictatorship, " 1960-1967 / Renata Keller
  • Censorship in the headlines: national news and the contradictions of Mexico City's press opening in the 1970s / Vanessa Freije
  • Democratization and the regional press / Javier Garza Ramos
  • Between the imperius curse and The Matrix: attacks on journalists in Mexico / Rafael Barajas
  • The plaza is for the populacho, the desert is for deep-sea fish: lessons from la Nota Roja / Everard Meade
  • Front lines andback channels: the fractal publics of El Blog del Narco / Paul K. Eiss