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In Appropriate Distance : The Ethics of the Photographic Essay

What is the evolving relationship between words and images in the photographic essay? Klingensmith explores this and other questions in In Appropriate Distance as she traces the development of the photographic essay from the 1890s to the 1990s and beyond

Detalles Bibliográficos
Autor principal: Klingensmith, Kelly
Formato: Electrónico eBook
Idioma:Inglés
Publicado: [Erscheinungsort nicht ermittelbar] University of New Mexico Press 2016
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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520 |a What is the evolving relationship between words and images in the photographic essay? Klingensmith explores this and other questions in In Appropriate Distance as she traces the development of the photographic essay from the 1890s to the 1990s and beyond 
520 |a Part Two Conclusion -- PART THREE: John Berger and Jean Mohr's Restored Photography -- 6: Toward a Political Photography -- 7: The Ways Photographs Are Used: Expressive, Radial, and Contextualized Images -- 8: In the Context of Writing -- Part Three Conclusion -- EPILOGUE: Giving Cameras to Kids -- Notes -- Bibliography -- Index -- Back Cover 
520 |a Front Cover -- Title Page -- Copyright -- Contents -- List of Illustrations -- Acknowledgments -- INTRODUCTION: Finding Appropriate Distance -- PART ONE: The Question of the Image in Jacob Riis's ""How the Other Half Lives""--1: Rethinking Riis -- 2: Reviewing the Image -- Part One Conclusion -- PART TWO: Southern Poverty in Word and Image: Three Depression-Era Photographic Essays -- 3: "Poverty Viewed at a Distance": You Have Seen Their Faces -- 4: "A Tripod of Photographs, Captions, and Text": An American Exodus -- 5: "If It Hurts You, Be Glad of It": Let Us Now Praise Famous Men 
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