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Towards a Political Aesthetics of Cinema : The Outside of Film /

Towards a Political Aesthetics of Cinema: The Outside of Film is a contribution to an aesthetics of cinema rooted in Marxist theory. Rather than focusing on the role that certain films, or the cinema as an institution, might play in political consciousness, the book asks a different question: how ca...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Lie, Sulgi (Autor)
Otros Autores: Fairfax, Daniel (Traductor)
Formato: Electrónico eBook
Idioma:Inglés
Alemán
Publicado: Baltimore, Maryland : Project Muse, 2020
Colección:Film culture in transition.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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082 0 |a 791.43658  |2 23 
100 1 |a Lie, Sulgi,  |e author. 
240 1 0 |a Aussenseite des Films.  |l English 
245 1 0 |a Towards a Political Aesthetics of Cinema :   |b The Outside of Film /   |c Sulgi Lie ; translated by Daniel Fairfax. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2020 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2020 
300 |a 1 online resource (350 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Film culture in transition 
500 |a Translation of: Aussenseite des Films. 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes filmography (pages [315]-316), bibliographical references (pages [317]-329), and index. 
505 0 |a On enunciation in apparatus theory -- On enunciation without an enunciator : suture -- On the pragmatics of enunciation -- On the acousmatics of enunciation : back to the suture -- The political uncanny, or the return of the repressed : Cache -- The dialectics of mass culture -- Cartographies of the postmodern -- Geopolitical aesthetics -- The political uncanny, or the return of domination : The shining. 
506 |a Access restricted to authorized users and institutions. 
520 |a Towards a Political Aesthetics of Cinema: The Outside of Film is a contribution to an aesthetics of cinema rooted in Marxist theory. Rather than focusing on the role that certain films, or the cinema as an institution, might play in political consciousness, the book asks a different question: how can the subject of politics in film be thought? This problem is presented in a systematic-theoretical rather than historical manner. The main aim of this book is a retrospective rehabilitation of the psychoanalytical concept of "suture," whose political core is progressively revealed. In a second step, this rereading of "suture"-theory is mediated with the Marxist aesthetics of Fredric Jameson. From the perspective of this reconfigured aesthetics of negativity, films by Hitchcock, Antonioni, Haneke and Kubrick are analyzed as articulations of a political unconscious. 
588 |a Description based on print version record. 
600 1 0 |a Jameson, Fredric  |x Criticism and interpretation. 
650 0 |a Communists in motion pictures. 
650 0 |a Communist aesthetics. 
650 0 |a Motion pictures  |x Political aspects. 
650 0 |a Motion pictures  |x Aesthetics. 
650 0 |a Politics in motion pictures. 
655 7 |a Electronic books.   |2 local 
700 1 |a Fairfax, Daniel,  |e translator. 
710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |z 9789462983632 
710 2 |a Project Muse.  |e distributor 
830 0 |a Film culture in transition. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/76890/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2020 Complete 
945 |a Project MUSE - 2020 Film, Theater and Performing Arts