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Fanvids : Television, Women, and Home Media Re-Use /

Fanvids, or vids, are short videos created in media fandom. Made from television and film sources, they are neither television episodes nor films; they resemble music videos but are non-commercial fanworks that construct creative and critical analyses of existing media. The creators of fanvids-calle...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Stevens, E. Charlotte (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2020
Colección:Transmedia (Amsterdam, Netherlands)
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Stevens, E. Charlotte,  |e author. 
245 1 0 |a Fanvids :   |b Television, Women, and Home Media Re-Use /   |c E. Charlotte Stevens. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2020 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2020 
300 |a 1 online resource (294 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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490 0 |a Transmedia: participatory culture and media convergence 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages [233]-270) and index. 
505 0 |a Critical contexts : television studies, fandom studies, and the vid -- Approach : how to study a vid -- Proximate forms and sites of encounter : music video and experimental tradition -- Textures of fascination : archives, vids, and vernacular historiography -- Critical spectatorship and spectacle : multifandom vids -- Adapting Starbuck : Dualbunny's Battlestar Galactica trilogy. 
506 |a Access restricted to authorized users and institutions. 
520 |a Fanvids, or vids, are short videos created in media fandom. Made from television and film sources, they are neither television episodes nor films; they resemble music videos but are non-commercial fanworks that construct creative and critical analyses of existing media. The creators of fanvids-called vidders-are predominantly women, whose vids prompt questions about media historiography and pleasures taken from screen media. Vids remake narratives for an attentive fan audience, who watch with a deep knowledge of the source text(s), or an interest in the vid form itself. Fanvids: Television, Women, and Home Media Re-Use draws on four decades of vids, produced on videotape and digitally, to argue that the vid form's creation and reception reveals a mode of engaged spectatorship that counters academic histories of media audiences and technologies. Vids offer an answer to the prevalent questions, What happens to television after it's been aired? How and by whom is it used and shared? Is it still television? 
588 |a Description based on print version record. 
650 0 |a Television programs. 
650 0 |a Fan films. 
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710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |z 9789462985865 
710 2 |a Project Muse.  |e distributor 
830 0 |a Transmedia (Amsterdam, Netherlands) 
830 0 |a Book collections on Project MUSE. 
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945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2020 Complete 
945 |a Project MUSE - 2020 Film, Theater and Performing Arts