Fanvids : Television, Women, and Home Media Re-Use /
Fanvids, or vids, are short videos created in media fandom. Made from television and film sources, they are neither television episodes nor films; they resemble music videos but are non-commercial fanworks that construct creative and critical analyses of existing media. The creators of fanvids-calle...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Baltimore, Maryland :
Project Muse,
2020
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Colección: | Transmedia (Amsterdam, Netherlands)
Book collections on Project MUSE. |
Temas: | |
Acceso en línea: | Texto completo |
MARC
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082 | 0 | |a 791.433 |2 23 | |
100 | 1 | |a Stevens, E. Charlotte, |e author. | |
245 | 1 | 0 | |a Fanvids : |b Television, Women, and Home Media Re-Use / |c E. Charlotte Stevens. |
264 | 1 | |a Baltimore, Maryland : |b Project Muse, |c 2020 | |
264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
264 | 4 | |c ©2020 | |
300 | |a 1 online resource (294 pages). | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 0 | |a Transmedia: participatory culture and media convergence | |
500 | |a Issued as part of book collections on Project MUSE. | ||
504 | |a Includes bibliographical references (pages [233]-270) and index. | ||
505 | 0 | |a Critical contexts : television studies, fandom studies, and the vid -- Approach : how to study a vid -- Proximate forms and sites of encounter : music video and experimental tradition -- Textures of fascination : archives, vids, and vernacular historiography -- Critical spectatorship and spectacle : multifandom vids -- Adapting Starbuck : Dualbunny's Battlestar Galactica trilogy. | |
506 | |a Access restricted to authorized users and institutions. | ||
520 | |a Fanvids, or vids, are short videos created in media fandom. Made from television and film sources, they are neither television episodes nor films; they resemble music videos but are non-commercial fanworks that construct creative and critical analyses of existing media. The creators of fanvids-called vidders-are predominantly women, whose vids prompt questions about media historiography and pleasures taken from screen media. Vids remake narratives for an attentive fan audience, who watch with a deep knowledge of the source text(s), or an interest in the vid form itself. Fanvids: Television, Women, and Home Media Re-Use draws on four decades of vids, produced on videotape and digitally, to argue that the vid form's creation and reception reveals a mode of engaged spectatorship that counters academic histories of media audiences and technologies. Vids offer an answer to the prevalent questions, What happens to television after it's been aired? How and by whom is it used and shared? Is it still television? | ||
588 | |a Description based on print version record. | ||
650 | 0 | |a Television programs. | |
650 | 0 | |a Fan films. | |
655 | 7 | |a Electronic books. |2 local | |
710 | 2 | |a Project Muse, |e distributor. | |
776 | 1 | 8 | |i Print version: |z 9789462985865 |
710 | 2 | |a Project Muse. |e distributor | |
830 | 0 | |a Transmedia (Amsterdam, Netherlands) | |
830 | 0 | |a Book collections on Project MUSE. | |
856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/76871/ |
945 | |a Project MUSE - Custom Collection | ||
945 | |a Project MUSE - 2020 Complete | ||
945 | |a Project MUSE - 2020 Film, Theater and Performing Arts |