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Improvising Cinema /
This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as in...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés Francés |
| Publicado: |
Amsterdam :
Amsterdam University Press,
[2013]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 130423s2013 ne o 00 0 eng d | ||
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| 020 | |a 9789048518425 | ||
| 020 | |z 9789089645159 | ||
| 020 | |z 9789089645517 | ||
| 035 | |a (OCoLC)880878363 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 041 | |a fre | ||
| 100 | 1 | |a Mouëllic, Gilles. | |
| 240 | 1 | 0 | |a Improviser le cinema. |l French |
| 245 | 1 | 0 | |a Improvising Cinema / |c Gilles Mouëllic. |
| 264 | 1 | |a Amsterdam : |b Amsterdam University Press, |c [2013] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©[2013] | |
| 300 | |a 1 online resource. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Film culture in transition | |
| 505 | 0 | |a Introduction -- Writing and improvisation -- Creation in action -- The influence of Jean Rouch -- Acting cinema -- The temptation of theatre -- The rules of the game -- Filming jazz -- Conclusion. | |
| 506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
| 520 | |a This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists. | ||
| 546 | |a In English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Improvisation (Acting) |2 fast |0 (OCoLC)fst00968302 | |
| 650 | 7 | |a Experimental films. |2 fast |0 (OCoLC)fst00918452 | |
| 650 | 7 | |a Documentary films. |2 fast |0 (OCoLC)fst00896079 | |
| 650 | 7 | |a ART |x General. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Reference. |2 bisacsh | |
| 650 | 6 | |a Cinema |x Histoire. | |
| 650 | 6 | |a Improvisation (Art dramatique) | |
| 650 | 0 | |a Motion pictures |x History. | |
| 650 | 0 | |a Improvisation (Acting) | |
| 650 | 0 | |a Experimental films |x History and criticism. | |
| 650 | 0 | |a Documentary films |x History and criticism. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/76702/ |