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Fashioning Postfeminism : Spectacular Femininity and Transnational Culture /

"Women in Lagos, Nigeria, practice a spectacularly feminine form of black beauty. From cascading hair extensions to immaculate makeup to high heels, their style permeates both day-to-day life and media representations of women not only in a swatch of Africa but across an increasingly globalized...

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Detalles Bibliográficos
Autor principal: Dosekun, Simidele (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2020]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Dosekun, Simidele,  |e author. 
245 1 0 |a Fashioning Postfeminism :   |b Spectacular Femininity and Transnational Culture /   |c Simidele Dosekun. 
264 1 |a Urbana :  |b University of Illinois Press,  |c [2020] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©[2020] 
300 |a 1 online resource (216 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Dissident feminisms 
505 0 |a Introduction: A New Style of Femininity -- Contextual Crossroads: African Women in the World of Things -- Choosing It All: From Pleasure to Self-Confidence to Pain -- "I'm Working, You Know": The Serious Business of Spectacularity -- Globally Black, "Naija," and Fabulous: Asserting Authentic Selves -- "Not That Kinda Girl": Resignifying Hyperfemininity for Postfeminist Times -- Conclusion: A New Fashion for Feminism? 
520 |a "Women in Lagos, Nigeria, practice a spectacularly feminine form of black beauty. From cascading hair extensions to immaculate makeup to high heels, their style permeates both day-to-day life and media representations of women not only in a swatch of Africa but across an increasingly globalized world. Simidele Dosekun's interviews and critical analysis consider the female subjectivities these women are performing and desiring. She finds that the women embody the postfeminist idea that their unapologetically immaculate beauty signals--but also constitutes--feminine power. As empowered global consumers and media citizens, the women deny any need to critique their culture or to take part in feminism's collective political struggle. Throughout, Dosekun unearths evocative details around the practical challenges to attaining their style, examines the gap between how others view these women and how they view themselves, and engages with ideas about postfeminist self-fashioning and subjectivity across cultures and class"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Women  |x Social conditions.  |2 fast  |0 (OCoLC)fst01176947 
650 7 |a Feminism.  |2 fast  |0 (OCoLC)fst00922671 
650 7 |a Feminine beauty (Aesthetics)  |2 fast  |0 (OCoLC)fst00922652 
650 7 |a SOCIAL SCIENCE / General  |2 bisacsh 
650 6 |a Feminisme  |z Nigeria  |z Lagos. 
650 6 |a Beaute feminine (Esthetique)  |z Nigeria  |z Lagos. 
650 6 |a Femmes  |z Nigeria  |z Lagos  |x Conditions sociales. 
650 0 |a Feminism  |z Nigeria  |z Lagos. 
650 0 |a Feminine beauty (Aesthetics)  |z Nigeria  |z Lagos. 
650 0 |a Women  |z Nigeria  |z Lagos  |x Social conditions. 
651 7 |a Nigeria  |z Lagos.  |2 fast  |0 (OCoLC)fst01205555 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/76687/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2020 Complete 
945 |a Project MUSE - 2020 Global Cultural Studies