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African Art Reframed : Reflections and Dialogues on Museum Culture /

"Once seen as a collection of artifacts and ritual objects, African art now commands respect from museums and collectors. Bennetta Jules-Rosette and J.R. Osborn explore the reframing of African art through case studies of museums and galleries in the United States, Europe, and Africa. The autho...

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Detalles Bibliográficos
Autores principales: Jules-Rosette, Bennetta (Autor), Osborn, J. R. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2020]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Jules-Rosette, Bennetta,  |e author. 
245 1 0 |a African Art Reframed :   |b Reflections and Dialogues on Museum Culture /   |c Bennetta Jules-Rosette, J.R. Osborn. 
264 1 |a Urbana :  |b University of Illinois Press,  |c [2020] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©[2020] 
300 |a 1 online resource (406 pages):   |b illustrations (some color) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Entering museums at the threshold -- Dialogues on museum practices and art worlds -- Unmixing African art and remixing the results. 
520 |a "Once seen as a collection of artifacts and ritual objects, African art now commands respect from museums and collectors. Bennetta Jules-Rosette and J.R. Osborn explore the reframing of African art through case studies of museums and galleries in the United States, Europe, and Africa. The authors take a three-pronged approach. Part One ranges from curiosity cabinets to virtual websites to offer a history of ethnographic and art museums and look at their organization and methods of reaching out to the public. In the second part, the authors examine museums as ecosystems and communities within communities, and they use semiotic methods to analyze images, signs, and symbols drawn from the experiences of curators and artists. The third part introduces innovative strategies for displaying, disseminating, and reclaiming African art. The authors also propose how to reinterpret the art inside and outside the museum and show ways of remixing the results. Drawing on extensive conversations with curators, collectors, and artists, African Art Reframed is an essential guide to building new exchanges and connections in the dynamic worlds of African and global art"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Museums  |x Social aspects.  |2 fast  |0 (OCoLC)fst01030203 
650 7 |a Art and society.  |2 fast  |0 (OCoLC)fst00815432 
650 7 |a Art, African  |x Collectors and collecting.  |2 fast  |0 (OCoLC)fst00815862 
650 7 |a ART / General  |2 bisacsh 
650 6 |a Art et societe. 
650 6 |a Musees  |x Aspect social. 
650 6 |a Museologie  |x Aspect social. 
650 6 |a Art africain  |x Collectionneurs et collections. 
650 0 |a Art and society. 
650 0 |a Museums  |x Social aspects. 
650 0 |a Museum techniques  |x Social aspects. 
650 0 |a Art, African  |x Collectors and collecting. 
655 7 |a Electronic books.   |2 local 
700 1 |a Osborn, J. R.,  |e author. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/76686/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2020 Complete 
945 |a Project MUSE - 2020 Global Cultural Studies