There is no soundtrack : Rethinking art, media, and the audio-visual contract /

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There is no soundtrack is a study of how sound and image produce meaning in contemporary experimental media art by artists ranging from Chantal Akerman to Nam June Paik to Tanya Tagaq. It contextualises these works and artists through key ideas in sound studies: voice, noise, listening, the soundsca...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ma, Ming-Yuen S. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2020
Colección:Rethinking art's histories.
Book collections on Project MUSE.
Temas:
Modern art > 21st century.
Modern art > 20th century.
Music and technology.
Art and music.
Sound.
Multimedia (Art)
Electronic books.
Acceso en línea:Texto completo

MARC

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100 1 |a Ma, Ming-Yuen S.,  |e author. 
245 1 0 |a There is no soundtrack :   |b Rethinking art, media, and the audio-visual contract /   |c Ming-Yuen S. Ma. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2020 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2020 
300 |a 1 online resource (280 pages):   |b illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Rethinking art's histories 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references and index. 
505 0 |a Prologue : film without images -- Introduction : rethinking the audio-visual contract -- Radical otherness : voiceover, autoethnography, performativity -- History, noise, violence : Christian Marclay's Guitar Drag -- Media soundscapes : listening to installation and performance -- Sounding a politics of place : acoustic communities, aesthetic colonization, and sound imperialism -- Epilogue : notes on acoustic time. 
506 |a Access restricted to authorized users and institutions. 
520 |a There is no soundtrack is a study of how sound and image produce meaning in contemporary experimental media art by artists ranging from Chantal Akerman to Nam June Paik to Tanya Tagaq. It contextualises these works and artists through key ideas in sound studies: voice, noise, listening, the soundscape and more. The book argues that experimental media art produces radical and new audio-visual relationships challenging the visually dominated discourses in art, media and the human sciences. In addition to directly addressing what Jonathan Sterne calls 'visual hegemony', it also explores the lack of diversity within sound studies by focusing on practitioners from transnational and diverse backgrounds. As such, it contributes to a growing interdisciplinary scholarship, building new, more complex and reverberating frameworks to collectively sonify the study of culture. 
588 |a Description based on print version record. 
650 0 |a Modern art  |y 21st century. 
650 0 |a Modern art  |y 20th century. 
650 0 |a Music and technology. 
650 0 |a Art and music. 
650 0 |a Sound. 
650 0 |a Multimedia (Art) 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |z 9781526142122 
710 2 |a Project Muse.  |e distributor 
830 0 |a Rethinking art's histories. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/76674/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2020 Complete 
945 |a Project MUSE - 2020 Film, Theater and Performing Arts 

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