|
|
|
|
LEADER |
00000cam a22000004a 4500 |
001 |
musev2_76452 |
003 |
MdBmJHUP |
005 |
20230905051908.0 |
006 |
m o d |
007 |
cr||||||||nn|n |
008 |
160625s2013 nyu o 00 0 eng d |
020 |
|
|
|a 9780615877488
|
035 |
|
|
|a (OCoLC)1164531196
|
040 |
|
|
|a MdBmJHUP
|c MdBmJHUP
|
100 |
1 |
|
|a Trettien, Whitney Anne.
|
245 |
1 |
0 |
|a Gaffe/Stutter /
|c Whitney Anne Trettien.
|
264 |
|
1 |
|a Brooklyn, New York :
|b Punctum Books,
|c 2013.
|
264 |
|
3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2020
|
264 |
|
4 |
|c ©2013.
|
300 |
|
|
|a 1 online resource (90 pages).
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
506 |
0 |
|
|a Open Access
|f Unrestricted online access
|2 star
|
520 |
|
|
|a Gaffe/Stutter is a dead letter to Deleuze's Logic of Sense. It began as a series of diagrams, two-dimensional memory palaces that sketch the vectors of each chapter's paradox; it became an elaborate plan for a web-based diagrammatic (r)e(n)dition of Logic of Sense, built on zoomable, annotatable high-resolution scans of these diagrams. Conceived as an anti-book -- a visual reading schematic -- this project eschews the line of text in favor of regimented grids, the ink-soaked grain of the remediated pen over the laser-burned face of print; playful reaction rather than academic protraction. This is not an analogy, or a product of the imagination, Gilles Deleuze and Felix Guattari would write in A Thousand Plateaus, but a composition of speeds and affects on the plane of consistency: a plan(e), a program, or rather a diagram, a problem, a question-machine. It ended as a directory of inert jQuery demos and digital scans: an image of Trafalgar Square at dusk, annotated with the words "Flag," "Small people on the steps," "A Statue," and "National Gallery Dome"; an empty html file titled 'delete.html'. The visitor who may happen to wander onto the website where these project demos are stashed would find herself stuck on Deleuze's definition of a paradox as initially that which destroys good sense as the only direction of becoming, but also that which destroys common sense as the assignation of fixed identities. From a series of diagrams to a dead-end digital directory, Gaffe/Stutter re-interprets a book that itself resists scholarly annotation. As with sense, it subsists in language; but it happens to things.
|
546 |
|
|
|a English.
|
588 |
|
|
|a Description based on print version record.
|
650 |
|
7 |
|a Humanities
|x Methodology.
|2 fast
|0 (OCoLC)fst00963614
|
650 |
|
7 |
|a Digital humanities.
|2 fast
|0 (OCoLC)fst00963599
|
650 |
|
7 |
|a Western philosophy, from c 1900 -
|2 bicssc
|
650 |
|
7 |
|a digital humanities.
|2 aat
|
650 |
|
6 |
|a Sciences humaines numeriques.
|
650 |
|
0 |
|a Humanities
|x Methodology.
|
650 |
|
0 |
|a Digital humanities.
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
|
|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/76452/
|