Walter Ruttmann and the Cinema of Multiplicity : Avant-Garde Film - Advertising - Modernity /
A key figure in early avant-garde cinema, Walter Ruttmann was a pioneer of experimental animation and the creative force behind one of the silent era's most celebrated montage films, Berlin: Symphony of a Great City. Yet even as he was making experimental films, Ruttmann had a day job. He worke...
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Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Amsterdam :
Amsterdam University Press,
2014.
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Colección: | Book collections on Project MUSE.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction : avant-garde, advertising and the managing of multiplicity
- Absolute advertising : abstraction and figuration in Ruttmann's animated product advertisements (1922-1927)
- The cross-section : images of the world and contingency management in Ruttmann's montage films of the late 1920s (1927-1929)
- Statistics and biopolitics : conceiving the national body in Ruttmann's hygiene films (1930-1933)
- "Überall Stahl" : forming the new nation in Ruttmann's steel and armament films (1934-1940)
- Afterword : of good and bad objects.