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After the Party : A Manifesto for Queer of Color Life /

This book tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation. Through the work of Nina Simone, Jorge Ignacio Cortiñas, Danh Vō, Felix Gonzalez-Torres, Eiko, and Tseng Kwong Chi, as well...

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Detalles Bibliográficos
Autor principal: Chambers-Letson, Joshua Takano (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : New York University Press, [2018]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Chambers-Letson, Joshua Takano,  |e author. 
245 1 0 |a After the Party :   |b A Manifesto for Queer of Color Life /   |c Joshua Chambers-Letson. 
264 1 |a New York :  |b New York University Press,  |c [2018] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©[2018] 
300 |a 1 online resource:   |b illustrations (some color) ; 
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490 0 |a Sexual cultures 
505 0 |a Introduction: I wish I knew how it would feel to be free -- Nina Simone and the work of minoritarian performance -- Searching for Danh Vō's mother -- The Marxism of Felix Gonzalez-Torres -- Eiko's Entanglements -- Tseng Kwong Chi and the party's end -- Epilogue: 6E. 
520 |a This book tells the stories of minoritarian artists who mobilize performance to produce freedom and sustain life in the face of subordination, exploitation, and annihilation. Through the work of Nina Simone, Jorge Ignacio Cortiñas, Danh Vō, Felix Gonzalez-Torres, Eiko, and Tseng Kwong Chi, as well as Nao Bustamante, Audre Lorde, Martin Wong, Assata Shakur, and Nona Faustine, the book considers performance as it is produced within and against overlapping histories of US colonialism, white supremacy, and heteropatriarchy. Building upon the thought of Jose Esteban Muñoz alongside scholarship in queer of color critique, black studies, and Marxist aesthetic criticism, the author maps a portrait of performance's capacity to produce what he calls a communism of incommensurability, a practice of being together in difference. Describing performance as a rehearsal for new ways of living together, the book moves between slavery, the Civil Rights Movement, the first wave of the AIDS crisis, the Vietnam War, and the catastrophe-riddled horizon of the early twenty-first century to consider this worldmaking practice as it is born of the tension between freedom and its negation. 
588 |a Description based on print version record. 
650 7 |a Minorities  |x Social conditions.  |2 nli 
650 7 |a Performance art.  |2 nli 
650 7 |a Queer theory.  |2 nli 
650 7 |a Queer theory.  |2 fast  |0 (OCoLC)fst01739572 
650 7 |a Performance art.  |2 fast  |0 (OCoLC)fst01057852 
650 7 |a Minorities  |x Social conditions.  |2 fast  |0 (OCoLC)fst01023228 
650 7 |a SOCIAL SCIENCE / Sociology / General.  |2 bisacsh 
650 0 |a Minorities  |x Social conditions. 
650 0 |a Performance art. 
650 0 |a Queer theory. 
600 1 7 |a Tseng, Kwong Chi  |x Criticism and interpretation.  |2 nli 
600 1 7 |a Otake, Eiko  |x Criticism and interpretation.  |2 nli 
600 1 7 |a González-Torres, Felix,  |d 1957-1996  |x Criticism and interpretation.  |2 nli 
600 1 7 |a Vo, Danh,  |d 1975-  |x Criticism and interpretation.  |2 nli 
600 1 7 |a Simone, Nina,  |d 1933-2003  |x Criticism and interpretation.  |2 nli 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/76176/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement IX 
945 |a Project MUSE - Archive Global Cultural Studies Supplement IX