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930311s1994 nyu o 00 0 eng d |
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|a 9780814788738
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|z 9780814779699
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|a (OCoLC)906966757
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|a MdBmJHUP
|c MdBmJHUP
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|a Schapiro, Barbara A.
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|a Literature and the Relational Self /
|c Barbara Ann Schapiro.
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|a New York :
|b New York University Press,
|c 1994.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2021
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|c ©1994.
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|a 1 online resource.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Literature and psychoanalysis ;
|v 3
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|a Foreword / Jeffrey Berman -- 1. Introduction. The Relational Paradigm. Psychoanalytic Relational Concepts: An Overview. The Relational Model and Feminist Theory. Transitional Phenomena, Creativity, and Culture. Applications to Literary Criticism -- 2. Wordsworth and the Relational Model of Mind -- 3. The Rebirth of Catherine Earnshaw: Splitting and Reintegration of Self in Wuthering Heights -- 4. Gender, Self, and the Relational Matrix: D.H. Lawrence and Virginia Woolf -- 5. Boundaries and Betrayal in Jean Rhys's Wide Sargasso Sea -- 6. Updike, God, and Women: The Drama of the Gifted Child -- 7. Internal World and the Social Environment: Toni Morrison's Beloved -- 8. Ann Beattie and the Culture of Narcissism -- 9. Desire and Uses of Illusion: Alice Hoffman's Seventh Heaven -- 10. Afterword.
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|a The relational paradigm, as a present-day development, is also particularly relevant to contemporary literature. Essays on John Updike, Toni Morrison, Ann Beattie, and Alice Hoffman examine self-other relational dynamics in their texts that reflect larger cultural patterns characteristic of our time.
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|a While psychoanalytic relational perspectives have had a major impact on the clinical world, their value for the field of literary study has yet to be fully recognized. This important book offers a broad overview of relational concepts and theories, and it examines their implications for understanding literary and aesthetic experience. The author reviews feminist applications of relational-model theories, and considers D.W. Winnicott's influential ideas about creativity and symbolic play. The eight incisive essays in this volume apply these concepts to a close reading of various nineteenth- and twentieth-century literary texts: an essay on Wordsworth, for instance, explores the poet's writing on the imagination in light of Winnicott's ideas about transitional phenomena, while an essay on Woolf and Lawrence compares identity issues in their work from the perspective of feminist object relations theories.
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|a Description based on print version record.
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650 |
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|a Selbst
|2 gnd
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|a Psychoanalyse
|2 gnd
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|a Literatur
|2 gnd
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|a Self in literature.
|2 fast
|0 (OCoLC)fst01111462
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650 |
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|a Psychoanalysis and literature.
|2 fast
|0 (OCoLC)fst01081273
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650 |
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|a Object relations (Psychoanalysis) in literature.
|2 fast
|0 (OCoLC)fst01042799
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650 |
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|a Interpersonal relations in literature.
|2 fast
|0 (OCoLC)fst00977446
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650 |
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|a Interpersonal relations in literature.
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650 |
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|a Object relations (Psychoanalysis) in literature.
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650 |
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|a Self in literature.
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650 |
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|a Psychoanalysis and literature.
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651 |
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|a USA.
|2 swd
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651 |
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|a Englisch.
|2 swd
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/76091/
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement IX
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|a Project MUSE - Archive Literature Supplement IX
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