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Aesthetic Theory /

The culmination of a lifetime of aesthetic investigation, Aesthetic Theory is Adorno's major work, a defense of modernism that is paradoxical in its defense of illusion. In it, Adorno takes up the problem of art in a day when "it goes without saying that nothing concerning art goes without...

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Detalles Bibliográficos
Autor principal: Adorno, Theodor W., 1903-1969
Otros Autores: Tiedeman, Rolf, Adorno, Gretel
Formato: Electrónico eBook
Idioma:Inglés
Alemán
Publicado: Minneapolis, MN. : University of Minnesota Press, 2015
Edición:Eighth printing.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Adorno, Theodor W.,  |d 1903-1969. 
240 1 0 |a Ästhetische Theorie.  |l English 
245 1 0 |a Aesthetic Theory /   |c Theodor W. Adorno ; Gretel Adorno and Rolf Tiedemann, editors ; newly translated, edited, and with a translator's introduction by Robert Hullot-Kentor. 
250 |a Eighth printing. 
264 1 |a Minneapolis, MN. :  |b University of Minnesota Press,  |c 2015 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©2015 
300 |a 1 online resource (416 pages). 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a Theory and history of literature ;  |v v. 88 
505 0 |a Art, Society, Aesthetics -- Situation -- On the Categories of the Ugly, the Beautiful, and Technique -- Natural Beauty -- Art Beauty; Apparition, Spiritualization, Intuitability -- Semblance and Expression -- Enigmaticalness, Truth Content, Metaphysics -- Coherence and Meaning -- Subject-Object -- Toward a Theory of the Artwork -- Universal and Particular -- Society -- Paralipomena -- Theories on the Origin of Art -- Draft Introduction. 
520 |a The culmination of a lifetime of aesthetic investigation, Aesthetic Theory is Adorno's major work, a defense of modernism that is paradoxical in its defense of illusion. In it, Adorno takes up the problem of art in a day when "it goes without saying that nothing concerning art goes without saying." In the course of his discussion, Adorno revisits such concepts as the sublime, the ugly, and the beautiful, demonstrating that concepts such as these are reservoirs of human experience. These experiences ultimately underlie aesthetics, for in Adorno's formulation "art is the sedimented history of human misery." 
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