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Our Musicals, Ourselves : A Social History of the American Musical Theatre /
"Our Musicals, Ourselves is the first full-scale social history of the American musical theatre from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate the...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hanover :
Brandeis University Press, published by University Press of New England,
2003.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
| 001 | musev2_75907 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905051835.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 100809s2003 nhu o 00 0 eng d | ||
| 020 | |a 9781611682236 | ||
| 020 | |z 9780874519044 | ||
| 020 | |z 9781584653110 | ||
| 035 | |a (OCoLC)923705499 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Jones, John Bush, |e author. | |
| 245 | 1 | 0 | |a Our Musicals, Ourselves : |b A Social History of the American Musical Theatre / |c John Bush Jones. |
| 264 | 1 | |a Hanover : |b Brandeis University Press, published by University Press of New England, |c 2003. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2021 | |
| 264 | 4 | |c ©2003. | |
| 300 | |a 1 online resource (411 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Patriotism, xenophobia, and World War I -- The musicals of the roaring twenties -- Coping with Depression -- World War II and the Rodgers and Hammerstein years -- From isolationism to idealism in the Cold War years -- Black and Jewish musicals since the 1960s -- Issue-driven musicals of the turbulent years -- Fragmented society, fragmented musicals -- A recycled culture, nostalgia, and spectacle -- New voices, new perspectives. | |
| 520 | 1 | |a "Our Musicals, Ourselves is the first full-scale social history of the American musical theatre from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate the genre only with diversionary shows like The Music Man or My Fair Lady, John Bush Jones singles out musicals for their social relevance. He is interested in how they engage, directly or metaphorically, contemporary politics and culture."--Jacket | |
| 588 | |a Description based on print version record. | ||
| 650 | 1 | 7 | |a Sociale aspecten. |2 gtt |
| 650 | 1 | 7 | |a Musicals. |2 gtt |
| 650 | 7 | |a Musicals. |2 fast |0 (OCoLC)fst01030814 | |
| 650 | 7 | |a PERFORMING ARTS |x General. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Printed Music |x Vocal. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Lyrics. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Voice. |2 bisacsh | |
| 650 | 6 | |a Theâtre musical |x Aspect social |z États-Unis. | |
| 650 | 6 | |a Comedies musicales |z États-Unis |x Histoire et critique. | |
| 650 | 0 | |a Musical theater |x Social aspects |z United States. | |
| 650 | 0 | |a Musicals |z United States |x History and criticism. | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/75907/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement IX | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement IX | ||