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Modernism and Subjectivity : How Modernist Fiction Invented the Postmodern Subject /

In Modernism and Subjectivity: How Modernist Fiction Invented the Postmodern Subject, Adam Meehan argues that theories of subjectivity coming out of psychoanalytic, poststructuralist, and adjacent late-twentieth-century intellectual traditions had already been articulated in modernist fiction before...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Meehan, Adam (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2020
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references (pages [181]-192) and index. 
505 0 |a The interpellated subject : specters of ideology in Joseph Conrad's Nostromo -- The void of subjectivity : sublimation and the artistic process in Conrad, Joyce, and Woolf -- The subject in process : repetition, race, and desire in The great Gatsby -- Spatialized subjectivity : Los Angeles and the post/modern subject in Fitzgerald, West, and Huxley -- The negation of subjectivity : meconnaissance and the other in Beckett's Murphy. 
506 |a Access restricted to authorized users and institutions. 
520 |a In Modernism and Subjectivity: How Modernist Fiction Invented the Postmodern Subject, Adam Meehan argues that theories of subjectivity coming out of psychoanalytic, poststructuralist, and adjacent late-twentieth-century intellectual traditions had already been articulated in modernist fiction before 1945. Offering a bold new genealogy for literary modernism, Meehan finds versions of a postmodern subject embodied in works by authors who intently undermine attempts to stabilize conceptions of identity and who draw attention to the role of language in shaping conceptions of the self. Focusing on the philosophical registers of literary texts, Meehan traces the development of modernist attitudes toward subjectivity, particularly in relation to issues of ideology, spatiality, and violence. His analysis explores a selection of works published between 1904 and 1941, beginning with Joseph Conrad's prescient portrait of the subject interpolated by ideology and culminating with Samuel Beckett's categorical disavowal of the subjective "I." Additional close readings of novels by F. Scott Fitzgerald, Aldous Huxley, James Joyce, Nathanael West, and Virginia Woolf establish that modernist texts conceptualize subjectivity as an ideological and linguistic construction that reverberates across understandings of consciousness, race, place, and identity. By reconsidering the movement's function and scope, Modernism and Subjectivity charts how profoundly modernist literature shaped the intellectual climate of the twentieth century. 
588 |a Description based on print version record. 
650 0 |a Postmodernism (Literature)  |z English-speaking countries. 
650 0 |a Modernism (Literature)  |z English-speaking countries. 
650 0 |a Subjectivity in literature. 
650 0 |a English fiction  |y 20th century  |x History and criticism. 
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945 |a Project MUSE - 2020 Complete 
945 |a Project MUSE - 2020 Literature