Projecting Nation : South African Cinemas after 1994

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"Projecting Nation explores the ways in which national and transnational forces have shaped the representation of race and nation in South African films produced after the transition to a multiracial democracy"--

Detalles Bibliográficos
Autor principal: Moyer-Duncan, Cara
Formato: Electrónico eBook
Idioma:Inglés
Publicado: East Lansing : Michigan State University Press, 2020.
Colección:Book collections on Project MUSE.
Temas:
National Film and Video Foundation (South Africa)
Post-apartheid era in mass media.
Post-apartheid era.
Motion pictures.
Motion picture industry.
Motion picture audiences.
PERFORMING ARTS / General
Cinema > Industrie > Afrique du Sud > Histoire.
Cinema > Publics > Afrique du Sud.
Ère post-apartheid dans les medias.
Ère post-apartheid > Afrique du Sud.
Motion picture industry > South Africa > History.
Motion pictures > South Africa.
Motion picture audiences > South Africa.
Post-apartheid era > South Africa.
South Africa.
History.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction : Audience, race, globalization and South African cinemas after 1994
  • An industry not yet transformed : the state, the private sector, and the ecology of South African cinema after 1994
  • Projecting South Africa for global consumption : myths, stereotypes, and feel-good stories
  • Independent filmmaking after 1994 : new directions, no audiences
  • "Oh schuks!" Is this the new South African cinema? : genre, stars, stereotypes and popular appeal
  • Following the market : the refragmentation of the local film industry
  • Conclusion.

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