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Powers of the Real : Cinema, Gender, and Emotion in Interwar Japan
"Examines the rise of cinema as a mass medium in Japan after the Great Kanto Earthquake, connecting the disaster to the new salience of emotion in public discourse, popular culture, and film and tracing how new forms of intimacy and emotion shaped by mass media became a major focus of cinematic...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
[Place of publication not identified] :
Brill,
2021.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_75195 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905051754.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 211213s2021 xx o 00 0 eng d | ||
| 020 | |a 9781684176045 | ||
| 020 | |z 9780674241152 | ||
| 020 | |z 1684176042 | ||
| 035 | |a (OCoLC)1127308546 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Lewis, Diane Wei, |d 1979- | |
| 245 | 1 | 0 | |a Powers of the Real : |b Cinema, Gender, and Emotion in Interwar Japan |
| 264 | 1 | |a [Place of publication not identified] : |b Brill, |c 2021. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2020 | |
| 264 | 4 | |c ©2021. | |
| 300 | |a 1 online resource (282 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Harvard East Asian monographs ; |v 424 | |
| 505 | 0 | |a Part I. Backgrounds: the Great Kanto Earthquake and mass media: Great Kanto Earthquake documentary films and the state -- The testimony of the body: Nikkatsu's earthquake melodrama films -- "Realism" and modernity -- Part II. The power of cinema: identification and emotion: Desire and identification: the aspiring actress problem -- Intimacy and alienation: Murayama Tomoyoshi, modern media celebrity, and film -- Expressive excess: gendered bodies and proletarian texts. | |
| 520 | |a "Examines the rise of cinema as a mass medium in Japan after the Great Kanto Earthquake, connecting the disaster to the new salience of emotion in public discourse, popular culture, and film and tracing how new forms of intimacy and emotion shaped by mass media became a major focus of cinematic discourse in the 1920s"--Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Sex differences in mass media. |2 fast |0 (OCoLC)fst01114357 | |
| 650 | 7 | |a Motion pictures. |2 fast |0 (OCoLC)fst01027285 | |
| 650 | 7 | |a Kanto Earthquake (Japan : 1923) in motion pictures. |2 fast |0 (OCoLC)fst01930897 | |
| 650 | 7 | |a Emotions in motion pictures. |2 fast |0 (OCoLC)fst00908875 | |
| 650 | 7 | |a Civilization. |2 fast |0 (OCoLC)fst00862898 | |
| 650 | 6 | |a Differences entre sexes dans les medias. | |
| 650 | 6 | |a Émotions au cinema. | |
| 650 | 6 | |a Cinema |z Japon |x Histoire |y 20e siecle. | |
| 650 | 6 | |a Tremblement de terre du Kantō, Japon, 1923, au cinema. | |
| 650 | 0 | |a Sex differences in mass media. | |
| 650 | 0 | |a Emotions in motion pictures. | |
| 650 | 0 | |a Motion pictures |z Japan |x History |y 20th century. | |
| 650 | 0 | |a Kanto Earthquake, Japan, 1923, in motion pictures. | |
| 651 | 7 | |a Japan. |2 fast |0 (OCoLC)fst01204082 | |
| 651 | 6 | |a Japon |x Civilisation |y 1926-1945. | |
| 651 | 6 | |a Japon |x Civilisation |y 1912-1926. | |
| 651 | 0 | |a Japan |x Civilization |y 1926-1945. | |
| 651 | 0 | |a Japan |x Civilization |y 1912-1926. | |
| 655 | 7 | |a History. |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/75195/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2020 Complete | ||
| 945 | |a Project MUSE - 2020 Film, Theater and Performing Arts | ||