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Representing from Life in Seventeenth-century Italy /

In drawing or painting from live models and real landscapes, more was at stake for artists in early modern Italy than achieving greater naturalism. To work with the model in front of your eyes, and to retain their identity in the finished work of art, had an impact on concepts of artistry and author...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: McTighe, Sheila (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2020
Colección:Visual and material culture, 1300-1700 ; 20.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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082 0 |a 709.94509032  |2 23 
100 1 |a McTighe, Sheila,  |e author. 
245 1 0 |a Representing from Life in Seventeenth-century Italy /   |c Sheila McTighe. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2020 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2020 
300 |a 1 online resource (316 pages):   |b illustrations, portraits. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Visual and material culture, 1300-1700 ;  |v 20 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references and index. 
505 0 |a Caravaggio's physiognomy -- Jacques Callot, drawing Dal Vivo around 1620 : commerce in Florence, piracy on the high seas -- Jacques Callot's Capricci di varie figure (1617) : the allusive imagery of the everyday, represented 'from life' and emulating a text -- The motif of the shooting man, and capturing the urban scene : Claude Lorrain and the Bamboccianti -- The absent eyewitness : the Revolt of Masaniello and Depiction Dal Vivo in the middle of the seventeenth century. 
506 |a Access restricted to authorized users and institutions. 
520 |a In drawing or painting from live models and real landscapes, more was at stake for artists in early modern Italy than achieving greater naturalism. To work with the model in front of your eyes, and to retain their identity in the finished work of art, had an impact on concepts of artistry and authorship, the authority of the image as a source of knowledge, the boundaries between repetition and invention, and even the relation of images to words. This book focuses on artists who worked in Italy, both native Italians and migrants from northern Europe. The practice of depicting from life became a self-conscious departure from the norms of Italian arts. In the context of court culture in Rome and Florence, works by artists ranging from Caravaggio to Claude Lorrain, Pieter van Laer to Jacques Callot, reveal new aspects of their artistic practice and its critical implications. 
588 |a Description based on print version record. 
650 0 |a Portrait painting, Italian  |y 17th century. 
650 0 |a Portrait drawing, Italian  |y 17th century. 
650 0 |a European art  |y 17th century. 
650 0 |a Italian art  |y 17th century. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |z 9789462983281 
710 2 |a Project Muse.  |e distributor 
830 0 |a Visual and material culture, 1300-1700 ;  |v 20. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/74931/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2020 Complete 
945 |a Project MUSE - 2020 Global Cultural Studies