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The Collected Poems of Ada Hastings Hedges /

"Although for the most part forgotten today, Ada Hastings Hedges was among Oregon's foremost mid-twentieth-century poets. Famous in her lifetime, she was best known for her superb poems set in Oregon's high desert, which offer a fascinating counterpoint to C.E.S. Wood's seminal T...

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Detalles Bibliográficos
Autor principal: Hedges, Ada Hastings, 1884-1980 (Autor)
Otros Autores: Wendt, Ingrid, 1944- (writer of afterword.), Hardt, Ulrich H., 1936- (Editor ), Contreras, Alan, 1956- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Corvallis : Oregon State University Press, 2020.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a The Collected Poems of Ada Hastings Hedges /   |c edited by Alan L. Contreras and Ulrich H. Hardt ; afterword by Ingrid Wendt. 
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520 |a "Although for the most part forgotten today, Ada Hastings Hedges was among Oregon's foremost mid-twentieth-century poets. Famous in her lifetime, she was best known for her superb poems set in Oregon's high desert, which offer a fascinating counterpoint to C.E.S. Wood's seminal The Poet in the Desert. Except for a twelve-year sojourn in southeastern Oregon and two years in Los Angeles where her physician-husband served in the City Health Department, Hedges lived in Portland from 1912 until her death in 1980. She was assistant editor at Binfords and Mort Publishers and a supervising editor in the Works Progress Administration. She taught briefly at Warner Pacific College in the 1960s. Hedges wrote in a style notable for precision, clarity, and smoothness of line. More than half of her poems in this collection are sonnets. A poet of the city as well as the desert, her work offers a compelling perspective on mid-century Portland life. In 1933 she published her only book, Desert Poems. That collection is reprinted here in its entirety, along with scores of additional poems published in a wide variety of venues, making this the first comprehensive collection of Hedges's work. A detailed introduction by the editors and annotations to the text provide information about revisions, publication dates, and notable features. Also included is an essay by Hedges asking "Can Poetry Be Taught?" In her afterword, Oregon poet Ingrid Wendt writes of her admiration for Hedges's "fierceness of spirit, lack of sentimentality, and complex vision," accompanied by her "dogged determination to keep 'dreaming beauty from every land'." For readers interested in women's literature, Pacific Northwest poetry, and the literature of Eastern Oregon, this volume reintroduces a compelling regional voice"--  |c Provided by publisher. 
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