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musev2_74903 |
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20230905051745.0 |
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200518s2020 deu o 00 0 eng d |
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|a 9781644531761
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|z 9781644531747
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|z 1644531763
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|a (OCoLC)1155087331
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|a MdBmJHUP
|c MdBmJHUP
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|a PR4037
|b .A78 2020
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|a 823.7
|2 23
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|a Art and Artifact in Austen /
|c edited by Anna Battigelli.
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|a Baltimore, Maryland :
|b Project Muse,
|c 2020
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|a Baltimore, Md. :
|b Project MUSE,
|c 2020
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|c ©2020
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|a 1 online resource (288 pages):
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Issued as part of book collections on Project MUSE.
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|a Includes bibliographical references and index.
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|a Introduction : the intimate ironies of Jane Austen's arts and artifacts -- Portraiture as misrepresentation in the novels and early writings of Jane Austen / Peter Sabor -- Jane Austen's "artless" heroines : Catherine Morland and Fanny Price / Elaine Bander -- Legal arts and artifacts in Jane Austen's Persuasion / Nancy E. Johnson -- Jane Austen and the theater? Perhaps not so much / Deborah C. Payne -- Everything is beautiful : Jane Austen at the ballet / Cheryl A. Wilson -- Jane Austen, marginalia, and book culture / Marilyn Francus -- Gender and things in Austen and Pope / Barbara M. Benedict -- "A very pretty amber cross" : material sources of elegance in Mansfield Park / Natasha Duquette -- Religious views : English abbeys in Austen's Northanger Abbey and Emma / Tonya J. Moutray -- Intimate portraiture and the accomplished woman artist in Emma / Juliette Wells -- "Is she musical?" players and nonplayers in Austen's fiction / Linda Zionkowski and Miriam Hart -- What Jane saw-in Henrietta Street / Jocelyn Harris.
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|a Access restricted to authorized users and institutions.
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|a Jane Austen distinguished herself with genius in literature, but she was immersed in all of the arts. Austen loved dancing, played the piano proficiently, meticulously transcribed piano scores, attended concerts and art exhibits, read broadly, wrote poems, sat for portraits by her sister Cassandra, and performed in theatricals. For her, art functioned as a social bond, solidifying her engagement with community and offering order. And yet Austen's hold on readers' imaginations owes a debt to the omnipresent threat of disorder that often stems--ironically--from her characters' socially disruptive artistic sensibilities and skill. Drawing from a wealth of recent historicist and materialist Austen scholarship, this timely work explores Austen's ironic use of art and artifact to probe selfhood, alienation, isolation, and community in ways that defy simple labels and acknowledge the complexity of Austen's thought.
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|a Description based on print version record.
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1 |
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|a Austen, Jane,
|d 1775-1817
|x Criticism and interpretation.
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650 |
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|a Arts in literature.
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|a Electronic books.
|2 local
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|a Battigelli, Anna,
|d 1960-
|e editor.
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|a Project Muse,
|e distributor.
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|i Print version:
|z 9781644531747
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/74903/
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945 |
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|a Project MUSE - Custom Collection
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