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200421s2020 ncu o 00 0 eng d |
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|a 9781469655826
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|z 9781469655802
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|z 9781469655796
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|z 9781469655819
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|a (OCoLC)1151408131
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|a MdBmJHUP
|c MdBmJHUP
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100 |
1 |
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|a Gomer, Justin,
|e author.
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245 |
1 |
0 |
|a White Balance :
|b How Hollywood Shaped Colorblind Ideology and Undermined Civil Rights /
|c Justin Gomer.
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1 |
|a Chapel Hill :
|b University of North Carolina Press,
|c 2020.
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264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2020
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264 |
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|c ©2020.
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300 |
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|a 1 online resource (268 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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490 |
0 |
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|a Studies in United States culture
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505 |
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|a The law is crazy!: Antistatism and the emergence of colorblindness in the early 1970s -- Keep away from me, Mr. Welfare Man: Claudine, welfare, and black independent film -- He looks like a big flag: Rocky and the origins of Hollywood colorblind heroism -- I can't wear your colors: Rocky III and Reagan's war on civil rights -- We are what we were: imagining America's colorblind past -- Lord, how dare we celebrate: colorblind hegemony and genre in the 1990s
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|a "The racial ideology of colorblindness has a long history. In 1963, Martin Luther King famously stated, 'I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.' However, in the decades after the civil rights movement, the ideology of colorblindness co-opted the language of the civil rights era in order to reinvent white supremacy and dismantle the civil rights movement's legal victories without offending political decorum. Yet, the spread of colorblindness could not merely happen through political speeches, newspapers, or books. The key, Justin Gomer contends, was film--as race-conscious language was expelled from public discourse, Hollywood provided the visual medium necessary to dramatize an anti-civil rights agenda over the course of the 70s, 80s, and 90s"--
|c Provided by publisher
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588 |
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|a Description based on print version record.
|
650 |
|
7 |
|a Stereotypes (Social psychology) in motion pictures.
|2 fast
|0 (OCoLC)fst01431527
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650 |
|
7 |
|a Racism in popular culture.
|2 fast
|0 (OCoLC)fst01086660
|
650 |
|
7 |
|a Race relations.
|2 fast
|0 (OCoLC)fst01086509
|
650 |
|
7 |
|a Post-racialism.
|2 fast
|0 (OCoLC)fst01747455
|
650 |
|
7 |
|a Motion picture industry.
|2 fast
|0 (OCoLC)fst01027150
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650 |
|
7 |
|a SOCIAL SCIENCE
|x Discrimination & Race Relations.
|2 bisacsh
|
650 |
|
6 |
|a Stereotypes au cinema.
|
650 |
|
6 |
|a Racisme dans la culture populaire
|z États-Unis.
|
650 |
|
6 |
|a Societe postraciale
|z États-Unis.
|
650 |
|
0 |
|a Stereotypes (Social psychology) in motion pictures.
|
650 |
|
0 |
|a Motion picture industry
|z United States
|x History
|y 20th century.
|
650 |
|
0 |
|a Racism in popular culture
|z United States.
|
650 |
|
0 |
|a Post-racialism
|z United States.
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
651 |
|
6 |
|a États-Unis
|x Relations raciales
|x Histoire
|y 20e siecle.
|
651 |
|
0 |
|a United States
|x Race relations
|x History
|y 20th century.
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/74505/
|
945 |
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|a Project MUSE - Custom Collection
|
945 |
|
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|a Project MUSE - 2020 Complete
|
945 |
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|a Project MUSE - 2020 Film, Theater and Performing Arts
|
945 |
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|a Project MUSE - 2020 American Studies
|