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191004s2020 iau o 00 0 eng d |
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|z 2019037878
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|a 9781609387068
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|z 9781609387051
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|a (OCoLC)1122690866
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|a MdBmJHUP
|c MdBmJHUP
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|a Habel, Jennifer,
|e author.
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|a Love Song to the Demon-Possessed Pigs of Gadara /
|c Jennifer Habel.
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|a Iowa City :
|b University of Iowa Press,
|c [2020]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2020
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|c ©[2020]
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300 |
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|a 1 online resource (104 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Iowa poetry prize
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500 |
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|a "Winner of the Iowa Poetry Prize."
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|a Intro -- Contents -- Jane and the Relative Adverb -- Einstein's Dinner -- Jane and the Bushel -- Jane's Desk -- Seven Students -- The Art Room -- Examples of the Interrogative in Jane's Kitchen -- Jane's Shame -- Jane in the Guest Room -- The Pedestal -- Carte Blanche -- A Guide to Jane's Office -- Jane in the Passenger Seat -- Diagnosis: Jane -- Jane Alone -- The Obstetrician's Lesson -- The Doll in the Convent -- Warp and Weft -- Questions on Jane's Birthday -- Mary's Year -- Jane in the Interlude -- Jane and the Escapes -- A Concept of Service
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|a Examples of the Declarative in Jane's Kitchen -- Life-Sized Portrait -- Examples of the Imperative in Jane's Kitchen -- The Ballet Master -- The Vocation of Saint Therese -- Basic Reader -- A Small Movement of Freedom inside of Fate -- Jane and the Visitors -- Jane's Souvenir -- Matisse's Great-Granddaughter, or Jane and the Long Way
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520 |
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|a "The Book of Jane is an investigation of gender, authority, and art. In spare and precise lines, and with a distinctively wry voice, Jennifer Habel draws a contrast between the archetype of the lone male genius and the circumscribed, relational lives of women. The collection revolves around the character Jane, whose actions and aspirations are inextricably tangled in the web of her responsibilities and relationships. Moments in Jane's ordinary life-in a kitchen, a passenger seat, a guest room-are rendered with wit, pathos, and charged ambivalence. Interwoven with depictions of Jane are poems in the voices of other women, both anonymous and well known. Throughout, Habel utilizes a remarkable array of forms and source materials"--
|c Provided by publisher.
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a American poetry.
|2 fast
|0 (OCoLC)fst00807348
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650 |
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0 |
|a American poetry
|y 21st century.
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655 |
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7 |
|a Poesie.
|2 rvmgf
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655 |
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7 |
|a Poetry.
|2 lcgft
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655 |
|
7 |
|a Poetry.
|2 fast
|0 (OCoLC)fst01423828
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655 |
|
7 |
|a poetry.
|2 aat
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655 |
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2 |
|a Poetry
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655 |
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7 |
|a Electronic books.
|2 local
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2 |
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|a Project Muse.
|e distributor
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830 |
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|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/73978/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2020 Complete
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945 |
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|a Project MUSE - 2020 Poetry, Fiction and Creative Non-Fiction
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