Peculiar Attunements : How Affect Theory Turned Musical /

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"Peculiar Attunements places the recent turn to affect into conversation with an earlier affective turn that took place in European music theory of the eighteenth century. It offers a new way of thinking through affect historically and dialectically, drawing attention to repeating patterns and...

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Detalles Bibliográficos
Autor principal: Grant, Roger Mathew (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Fordham University Press, [2020]
Edición:First edition.
Colección:Book collections on Project MUSE.
Temas:
Music > Physiological effect.
Music > Philosophy and aesthetics.
Mimesis in music.
Emotions in music.
Doctrine of the affections.
MUSIC / Philosophy & Social Aspects.
Mimêsis dans la musique.
Musique > Effets physiologiques.
Music > Europe > 18th century > Philosophy and aesthetics.
Europe.
Electronic books.
Acceso en línea:Texto completo

MARC

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020 |z 9780823288069 
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100 1 |a Grant, Roger Mathew,  |e author. 
245 1 0 |a Peculiar Attunements :   |b How Affect Theory Turned Musical /   |c Roger Mathew Grant. 
250 |a First edition. 
264 1 |a New York :  |b Fordham University Press,  |c [2020] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©[2020] 
300 |a 1 online resource (192 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 0 |t Frontmatter --  |t Contents --  |t Notes on orthography and translation --  |t Introduction --  |t 1. Eighteenth-century opera and the mimetic affektenlehre --  |t 2. Comic opera: Mimesis exploded --  |t 3. "Sonate, que me veux-tu?" and other dilemmas of instrumental music --  |t 4. The attunement affektenlehre --  |t Coda: affect after the affektenlehre --  |t Acknowledgments --  |t Bibliography --  |t Index 
520 |a "Peculiar Attunements places the recent turn to affect into conversation with an earlier affective turn that took place in European music theory of the eighteenth century. It offers a new way of thinking through affect historically and dialectically, drawing attention to repeating patterns and problems in affect theory's history"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Music  |x Physiological effect.  |2 fast  |0 (OCoLC)fst01030412 
650 7 |a Music  |x Philosophy and aesthetics.  |2 fast  |0 (OCoLC)fst01030408 
650 7 |a Mimesis in music.  |2 fast  |0 (OCoLC)fst01909890 
650 7 |a Emotions in music.  |2 fast  |0 (OCoLC)fst01737434 
650 7 |a Doctrine of the affections.  |2 fast  |0 (OCoLC)fst00896058 
650 7 |a MUSIC / Philosophy & Social Aspects.  |2 bisacsh 
650 6 |a Mimêsis dans la musique. 
650 6 |a Musique  |x Effets physiologiques. 
650 0 |a Music  |z Europe  |y 18th century  |x Philosophy and aesthetics. 
650 0 |a Mimesis in music. 
650 0 |a Emotions in music. 
650 0 |a Music  |x Physiological effect. 
650 0 |a Doctrine of the affections. 
651 7 |a Europe.  |2 fast  |0 (OCoLC)fst01245064 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/73625/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2020 Complete 
945 |a Project MUSE - 2020 Global Cultural Studies 

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