The Voice in the Headphones /

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"THE VOICE IN THE HEADPHONES is a book-length poem, largely but not exclusively in prose. Following in form Grubbs's previous book, Now the Audience is Assembled, which was about a musical performance, this book takes the reader into the recording booth. The poem takes place within the rec...

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Detalles Bibliográficos
Autor principal: Grubbs, David, 1967- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2020.
Colección:Book collections on Project MUSE.
Temas:
Sound recordings > Production and direction.
Avant-garde (Music)
POETRY > American > General.
Musique experimentale.
Sound recordings > Production and direction > Poetry.
Poesie.
Poetry.
poetry.
Poetry
Electronic books.
Acceso en línea:Texto completo

MARC

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010 |z  2019032495 
020 |a 9781478009092 
020 |z 9781478008132 
020 |z 9781478007685 
035 |a (OCoLC)1117313320 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Grubbs, David,  |d 1967-  |e author. 
245 1 4 |a The Voice in the Headphones /   |c David Grubbs. 
264 1 |a Durham :  |b Duke University Press,  |c 2020. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2020 
264 4 |c ©2020. 
300 |a 1 online resource (154 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Cover -- Begin Reading -- Acknowledgments 
520 |a "THE VOICE IN THE HEADPHONES is a book-length poem, largely but not exclusively in prose. Following in form Grubbs's previous book, Now the Audience is Assembled, which was about a musical performance, this book takes the reader into the recording booth. The poem takes place within the recording studio and Grubbs's fictional band, The Familiar Faces, surfaces and disappears throughout the text as the poems cycle through the creative process of music making and recording. The basic unit of each piece is the page, and the book presents itself in a hybridized form, recontextualizing contemporary poetry, using the language of recording in the studio as the material for the poem. The book is one continuous poem, flowing and looping through the forms and cycles of a studio recording session. Grubbs describes the process of recording as well as the emotions, tools, and systems that undergird music making. The past arrives in the musician's headphones, and the voice mixes with creativity in a series of loops. The poem loops in and on itself, in a way reminiscent of a record or a CD, returning to the present and to the beat. Grubbs describes his influences and inspirations. The Familiar Faces, his band, recur throughout the book within the lines of each page, which are a metaphor for the studio and the music venue. The reader follows Grubbs's creative journey through double takes. The lines rise and fall with the crescendo of the studio. The book is the rehearsal space, and the music is in each new line. This book will be of interest to music scholars and students, readers of the avant-garde arts, and creative writers"--  |c Provided by publisher 
588 |a Description based on print version record. 
650 7 |a Sound recordings  |x Production and direction.  |2 fast  |0 (OCoLC)fst01127057 
650 7 |a Avant-garde (Music)  |2 fast  |0 (OCoLC)fst00824287 
650 7 |a POETRY  |x American  |x General.  |2 bisacsh 
650 6 |a Musique experimentale. 
650 0 |a Avant-garde (Music) 
650 0 |a Sound recordings  |x Production and direction  |v Poetry. 
655 7 |a Poesie.  |2 rvmgf 
655 7 |a Poetry.  |2 lcgft 
655 7 |a Poetry.  |2 fast  |0 (OCoLC)fst01423828 
655 7 |a poetry.  |2 aat 
655 2 |a Poetry 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/73277/ 
945 |a Project MUSE - Custom Collection 

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