Picturing Worlds : Visuality and Visual Sovereignty in Contemporary Anishinaabe Literature /

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"Picturing Worlds examines the uses that a range of Anishinaabe authors make of art and artists. It examines the ways these authors establish frameworks for continuity, resistance, and sovereignty in that "space" where conventional narratives of settlement read rupture"--

Detalles Bibliográficos
Autor principal: Stirrup, David (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: East Lansing : Michigan State University Press, [2020]
Colección:Book collections on Project MUSE.
Temas:
Visual perception in literature.
Ojibwa literature.
Material culture in literature.
LITERARY CRITICISM / General
Litterature ojibwa > Histoire et critique.
Perception visuelle dans la litterature.
Culture materielle dans la litterature.
Ojibwa literature > History and criticism.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Intro
  • Contents
  • Acknowledgments
  • Introduction
  • Chapter 1. An Indian Well Versed: (Con)Textualizing Anishinaabeakiing-George Copway and Jane Johnston Schoolcraft
  • Chapter 2. X-ing Boundaries: Transmotion, Transformation, and the Art of Engaged Resistance in Contemporary Anishinaabe Poetics
  • Chapter 3. Reckoning Beyond the Crossing/X-ing: Formal Diversity and Visual Sovereignty in Gordon Henry Jr.'s The Light People
  • Chapter 4. Picturing Absence and Postcolonial Presence: Unsettling a Colonial Grammar in Selected Works by Louise Erdrich
  • Chapter 5. So, How Can You Hear Stones and Pictures? Gerald Vizenor's Imagic Returns
  • Chapter 6. Performance, Resistance: Countering the indian and Sovereign Aesthetics in Contemporary Anishinaabe Drama
  • Conclusion
  • Notes
  • Bibliography
  • Index

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