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Worldly Stage : Theatricality in Seventeenth-Century China /
"In seventeenth-century China, as formerly disparate social spheres grew closer, the theater began to occupy an important ideological niche among traditional cultural elites, and notions of performance and spectatorship came to animate diverse aspects of literati cultural production. In this st...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, Mass :
Distributed by Harvard University Press,
2011.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction
- Significance of theatricality in seventeenth-century China
- Performance practice and stage architecture
- Theatricality and pedagogy in Tang Xianzu's Mudan Ting (The Peony Pavilion)
- Illusion and allusion: the theatricality of gender and history in Wang Jide's Nan Wanghou (The male queen)
- Literary consumption of actors in seventeenth-century China
- Storyteller Liu Jingting : the theatricality of the "vernacular" in Kong Shangren's Taohua Shan (The peach blossom fan)
- Conclusion.