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Steps of Perfection : Exorcistic Performers and Chinese Religion in Twentieth-Century Taiwan /

"One part of Taiwan's flourishing religious culture is the elaborate, colorful, and noisy procession of local gods accompanied by troupes of musicians and dancers. Among them are groups of performers with wild, outlandish painted faces portraying underworld generals who serve the gods and...

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Detalles Bibliográficos
Autor principal: Sutton, Donald S.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, Mass. : Distributed by Harvard University Press, 2003.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Sutton, Donald S. 
245 1 0 |a Steps of Perfection :   |b Exorcistic Performers and Chinese Religion in Twentieth-Century Taiwan /   |c Donald S. Sutton. 
264 1 |a Cambridge, Mass. :  |b Distributed by Harvard University Press,  |c 2003. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©2003. 
300 |a 1 online resource (446 pages):   |b illustrations ; 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Harvard East Asian monographs ;  |v 218 
505 0 |a 1. Spaces: sacred, ritualized, and everyday landscapes -- 2. Places: nine troupes in their local settings -- 3. Meanings: iconography and mythology -- 4. Rituals: the making of divine warriors -- 5. Choreography: cosmic variations -- 6. History I: from the five emperors of Fuzhou to the five school under Japanese rule (1646-1947) -- 7. History II: a new market for dancers and self-mortifiers under the Guomindang (1947-87) -- 8. Conclusions: festival performers and their changing audience. 
520 1 |a "One part of Taiwan's flourishing religious culture is the elaborate, colorful, and noisy procession of local gods accompanied by troupes of musicians and dancers. Among them are groups of performers with wild, outlandish painted faces portraying underworld generals who serve the gods and punish the living. Through their performances, these troupes claim to exorcise harmful forces from the community." "In conducting fieldwork among these troupes, the author confronted the question of making sense of their claims to a long history when all evidence indicated that the troupes had been insignificant until the 1970s and of their assertions of devotion to an accurate transmission of tradition given the diversity of performances. By concentrating on the stylistic variations in performances, he explains the troupes as organizations shaped by the "market forces" of supply and demand in the culture of religious festivals. By focusing on performances as the nexus of market and art, he shows how bodily performance is the site where religious statements are made and the power of the gods made visible."--Jacket. 
588 |a Description based on print version record. 
651 7 |a Taiwan.  |2 swd 
651 7 |a Taiwan  |x Religious life and customs.  |2 nli 
651 7 |a Taiwan  |x Religion.  |2 nli 
651 7 |a Taiwan  |2 gnd 
651 7 |a Taiwan.  |2 fast  |0 (OCoLC)fst01207854 
651 4 |a Taiwan  |x Social life and customs  |y 1975- 
651 0 |a Taiwan  |x Religious life and customs. 
651 0 |a Taiwan  |x Religion. 
650 7 |a Religion and culture  |z Taiwan.  |2 nli 
650 7 |a Religion  |2 gnd 
650 7 |a Geschichte  |2 gnd 
650 7 |a Religion and culture.  |2 fast  |0 (OCoLC)fst01093823 
650 7 |a Religion.  |2 fast  |0 (OCoLC)fst01093763 
650 0 |a Religion and culture  |z Taiwan. 
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830 0 |a Book collections on Project MUSE. 
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945 |a Project MUSE - Archive Complete Supplement IX 
945 |a Project MUSE - Archive Philosophy and Religion Supplement IX 
945 |a Project MUSE - Archive Asian and Pacific Studies Supplement VIII