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Figures of a Changing World : Metaphor and the Emergence of Modern Culture /

Figures of a Changing World offers a dramatic new account of cultural change, an account based on the distinction between two familiar rhetorical figures, metonymy and metaphor. The book treats metonymy as the basic organizing trope of traditional culture and metaphor as the basic organizing trope o...

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Detalles Bibliográficos
Autor principal: Berger, Harry, Jr., 1924- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New York : Fordham University Press, 2015.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Berger, Harry,  |c Jr.,  |d 1924-  |e author. 
245 1 0 |a Figures of a Changing World :   |b Metaphor and the Emergence of Modern Culture /   |c Harry Berger, Jr. 
264 1 |a New York :  |b Fordham University Press,  |c 2015. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©2015. 
300 |a 1 online resource (176 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Includes index. 
505 0 |a Cover; Contents; Acknowledgments; Part I: Theory and Practice; 1. Two Figures: (1) Metaphor; 2. Two Figures: (2) Metonymy; 3. Making Metaphors, Seeing Metonymies; 4. Metonymy, Metaphor, and Perception: De Man and Nietzsche; 5. Metaphor, Metonymy, and Redundancy; 6. The Semiotics of Metaphor and Metonymy: Umberto Eco; 7. Frost and Roses: The Disenchantment of a Reluctant Modernist; Part II: History; 8. Metaphor and the Anxiety of Fictiveness: St. Augustine; 9. Metaphor and Metonymy in the Middle Ages: Aquinas and Dante. 
505 0 |a 10. Sacramental Anxiety in the Late Middle Ages: Hugh of St. Victor, the Abbot Suger, and Dante11. Ulysses as Modernist: From Metonymy to Metaphor in Shakespeare's Troilus and Cressida; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Z. 
520 |a Figures of a Changing World offers a dramatic new account of cultural change, an account based on the distinction between two familiar rhetorical figures, metonymy and metaphor. The book treats metonymy as the basic organizing trope of traditional culture and metaphor as the basic organizing trope of modern culture. On the one hand, metonymies present themselves as analogies that articulate or reaffirm preexisting states of affairs. They are guarantors of facticity, a term that can be translated or defined as fact-like-ness. On the other hand, metaphors challenge the similarity they claim to e. 
588 |a Description based on print version record. 
650 7 |a Kulturwandel  |2 gnd 
650 7 |a Literatur  |2 gnd 
650 7 |a Metonymie  |2 gnd 
650 7 |a Metapher  |2 gnd 
650 7 |a Evolution.  |2 fast  |0 (OCoLC)fst00917265 
650 7 |a Change.  |2 fast  |0 (OCoLC)fst00852051 
650 7 |a LITERARY CRITICISM  |x Medieval.  |2 bisacsh 
650 7 |a PHILOSOPHY  |x Metaphysics.  |2 bisacsh 
650 6 |a Changement (Philosophie) 
650 6 |a Évolution. 
650 0 |a Change. 
650 0 |a Evolution. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/72442/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement IX 
945 |a Project MUSE - Archive Literature Supplement IX