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Listen : A History of Our Ears /
In this intimate meditation on listening, Peter Szendy examines what the role of the listener is, and has been, through the centuries. The role of the composer is clear, as is the role of the musician, but where exactly does the listener stand in relation to the music s/he listens to? What is the re...
| Autor principal: | |
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| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés Francés |
| Publicado: |
New York :
Fordham University Press,
2008.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9780823237883 | ||
| 020 | |z 0823237885 | ||
| 020 | |z 9780823228003 | ||
| 035 | |a (OCoLC)655178416 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 041 | 1 | |a eng |h fre | |
| 100 | 1 | |a Szendy, Peter. | |
| 240 | 1 | 0 | |a Écoute. |l English |
| 245 | 1 | 0 | |a Listen : |b A History of Our Ears / |c Peter Szendy ; preceded by Ascoltando by Jean-Luc Nancy ; translated by Charlotte Mandell. |
| 264 | 1 | |a New York : |b Fordham University Press, |c 2008. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2021 | |
| 264 | 4 | |c ©2008. | |
| 300 | |a 1 online resource (176 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Prelude and address. I'm listening -- Author's rights, listener's rights (journal of our ancestors) -- Writing our listenings: arrangement, translation, criticism -- Our instruments for listening before the law (second journal entry) -- Listening (to listening): the making of the modern ear -- Plastic listening. | |
| 520 | |a In this intimate meditation on listening, Peter Szendy examines what the role of the listener is, and has been, through the centuries. The role of the composer is clear, as is the role of the musician, but where exactly does the listener stand in relation to the music s/he listens to? What is the responsibility of the listener? Does a listener have any rights, as the author and composer have copyright? Szendy explains his love of musical arrangement (since arrangements allow him to listen to someone listening to music), and wonders whether it is possible in other ways to convey to others how w. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Lyssnande. |2 sao | |
| 650 | 7 | |a Musikfilosofi. |2 sao | |
| 650 | 7 | |a Musikkritik |2 gnd | |
| 650 | 7 | |a Musikästhetik |2 gnd | |
| 650 | 7 | |a Musikphilosophie |2 gnd | |
| 650 | 7 | |a Musikwahrnehmung |2 gnd | |
| 650 | 7 | |a Musikhören |2 gnd | |
| 650 | 7 | |a Musical criticism. |2 fast |0 (OCoLC)fst01030706 | |
| 650 | 7 | |a Music |x Philosophy and aesthetics. |2 fast |0 (OCoLC)fst01030408 | |
| 650 | 7 | |a Music |2 fast |0 (OCoLC)fst01030269 | |
| 650 | 7 | |a PHILOSOPHY |x Aesthetics. |2 bisacsh | |
| 650 | 6 | |a Critique musicale. | |
| 650 | 6 | |a Musique |x Histoire et critique. | |
| 650 | 6 | |a Musique |x Philosophie et esthetique. | |
| 650 | 0 | |a Musical criticism. | |
| 650 | 0 | |a Music |x History and criticism. | |
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Mandell, Charlotte. |4 trl | |
| 700 | 1 | |a Nancy, Jean-Luc. |4 aui | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/72412/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement IX | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement IX | ||