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Theatre History Studies 2019, Vol. 38 /

Detalles Bibliográficos
Autor principal: Freeman, Sara
Otros Autores: Gibb, Andrew, Edney, Kathryn, DeMasi, James, D'Ambrosi, Joseph R., Cole, Penelope, Coen, Elizabeth, Bisaha, David, Bartley, Sean, Aviles-Rodriguez, Guillermo
Formato: Electrónico eBook
Idioma:Inglés
Publicado: : University of Alabama Press, 2019.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Intro
  • Contents
  • List of Illustrations
  • Introduction -Sara Freeman
  • Part I. Studies In Theatre History
  • Hanswurst's Public: Defending the Comic in the Theatres of Eighteenth-Century Vienna -Elizabeth Coen
  • "This Affair of a Theatre": The Boston Theatre Controversy and the Americanization of the Stage -Bridget McFarland
  • From Moscow to Simferopol: How the Russian Cubo-Futurists Accessed the Provinces -Ryan Tvedt
  • So Long Ago I Can't Remember: Gale Gates et al. and the 1990s Immersive Theatre -Daniella V. Initski Mooney
  • Part II. The Site-Based Theatre Audience Experience: Dramaturgy And Ethics -Edited by Penelope Cole and Rand Harmon
  • Site-Based Theatre: The Beginning -Penelope Cole
  • Becoming the Mob: Mike Brookes and Mike Pearson's Coriolan/us -Penelope Cole
  • A Walk in the Park: David Levine's Private Moment and Ethical Participation in Site-Based Performance -Sean Bartley
  • "I Want You to Feel Uncomfortable": Adapting Participation in A 24-Decade History of Popular Music at San Francisco's Curran Theatre -David Bisaha
  • Navigating Neverland and Wonderland: Audience as Spect-Character -Colleen Rua
  • Ethics and Site-Based Theatre: A Curated Discussion -Guillermo Abiles-Rodriguez, Penelope Cole, Rand Harmon, and Erin B. Mee
  • Part III. The Robert A. Schanke Award-Winning Essay from the 2018 Mid-America Theatre Conference
  • Inventing the Tramp: The Early Tramp Comic on the Variety Stage -Michelle Granshaw
  • Part IV. Book Reviews
  • Jonathan M. Hess, Deborah and Her Sisters: How One Nineteenth-Century Melodrama and a Host of Celebrated Actresses Put Judaism on the World Stage -Reviewed by Joseph R. D'Ambrosi
  • Travis Curtright, Shakespeare's Dramatic Persons -Reviewed by James Demasi
  • George Rodosthenous, ed., The Disney Musical on Stage and Screen: Critical Approaches from "Snow White" to "Frozen" -Reviewed by Kathryn Edney
  • Lisa Jackson-Schebetta, Traveler, There Is No Road: Theatre, the Spanish Civil War, and the Decolonial Imagination in the Americas -Reviewed by Andrew Gibb
  • David A. Crespy, ed., Lanford Wilson: Early Stories, Sketches, and Poems -Reviewed by Jeff Grace
  • Jocelyn L. Buckner, ed., A Critical Companion to Lynn Nottage -Reviewed by Stefanie A. Jones
  • Gilliam M. Rodger, Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage -Reviewed by Franklin J. Lasik
  • Ellen R. Welch, A Theater of Diplomacy: International Relations and the Performing Arts in Early Modern France -Reviewed by Felicia Hardison Londre
  • Adrian Wright, Must Close Saturday: The Decline and Fall of the British Musical Flop -Reviewed by Rae Mansfield
  • David Palmer, ed., Visions of Tragedy in Modern American Drama -Reviewed by Charissa Menefee