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210821s2019 xx o 00 0 eng d |
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|a 9780817392789
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|z 9780817371135
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|a (OCoLC)1264471004
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|a MdBmJHUP
|c MdBmJHUP
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| 100 |
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|a Freeman, Sara.
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|a Theatre History Studies 2019, Vol. 38 /
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|a :
|b University of Alabama Press,
|c 2019.
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| 264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2022
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| 264 |
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|c ©2019.
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| 300 |
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|a 1 online resource (267 pages).
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| 336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Theatre History Studies
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| 500 |
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|a Jane Barnette, Adapturgy: The Dramaturg's Art and Theatrical Adaptation -Reviewed by Maria Mytilinaki Kennedy.
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| 500 |
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|a Description based upon print version of record.
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0 |
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|a Intro -- Contents -- List of Illustrations -- Introduction -Sara Freeman -- Part I. Studies In Theatre History -- Hanswurst's Public: Defending the Comic in the Theatres of Eighteenth-Century Vienna -Elizabeth Coen -- "This Affair of a Theatre": The Boston Theatre Controversy and the Americanization of the Stage -Bridget McFarland -- From Moscow to Simferopol: How the Russian Cubo-Futurists Accessed the Provinces -Ryan Tvedt -- So Long Ago I Can't Remember: Gale Gates et al. and the 1990s Immersive Theatre -Daniella V. Initski Mooney
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| 505 |
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|a Part II. The Site-Based Theatre Audience Experience: Dramaturgy And Ethics -Edited by Penelope Cole and Rand Harmon -- Site-Based Theatre: The Beginning -Penelope Cole -- Becoming the Mob: Mike Brookes and Mike Pearson's Coriolan/us -Penelope Cole -- A Walk in the Park: David Levine's Private Moment and Ethical Participation in Site-Based Performance -Sean Bartley -- "I Want You to Feel Uncomfortable": Adapting Participation in A 24-Decade History of Popular Music at San Francisco's Curran Theatre -David Bisaha -- Navigating Neverland and Wonderland: Audience as Spect-Character -Colleen Rua
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|a Ethics and Site-Based Theatre: A Curated Discussion -Guillermo Abiles-Rodriguez, Penelope Cole, Rand Harmon, and Erin B. Mee -- Part III. The Robert A. Schanke Award-Winning Essay from the 2018 Mid-America Theatre Conference -- Inventing the Tramp: The Early Tramp Comic on the Variety Stage -Michelle Granshaw -- Part IV. Book Reviews -- Jonathan M. Hess, Deborah and Her Sisters: How One Nineteenth-Century Melodrama and a Host of Celebrated Actresses Put Judaism on the World Stage -Reviewed by Joseph R. D'Ambrosi -- Travis Curtright, Shakespeare's Dramatic Persons -Reviewed by James Demasi
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| 505 |
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|a George Rodosthenous, ed., The Disney Musical on Stage and Screen: Critical Approaches from "Snow White" to "Frozen" -Reviewed by Kathryn Edney -- Lisa Jackson-Schebetta, Traveler, There Is No Road: Theatre, the Spanish Civil War, and the Decolonial Imagination in the Americas -Reviewed by Andrew Gibb -- David A. Crespy, ed., Lanford Wilson: Early Stories, Sketches, and Poems -Reviewed by Jeff Grace -- Jocelyn L. Buckner, ed., A Critical Companion to Lynn Nottage -Reviewed by Stefanie A. Jones
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| 505 |
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|a Gilliam M. Rodger, Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage -Reviewed by Franklin J. Lasik -- Ellen R. Welch, A Theater of Diplomacy: International Relations and the Performing Arts in Early Modern France -Reviewed by Felicia Hardison Londre -- Adrian Wright, Must Close Saturday: The Decline and Fall of the British Musical Flop -Reviewed by Rae Mansfield -- David Palmer, ed., Visions of Tragedy in Modern American Drama -Reviewed by Charissa Menefee
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| 588 |
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|a Description based on print version record.
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| 655 |
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7 |
|a Electronic books.
|2 local
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| 700 |
1 |
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|a Gibb, Andrew.
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| 700 |
1 |
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|a Edney, Kathryn.
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| 700 |
1 |
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|a DeMasi, James.
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| 700 |
1 |
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|a D'Ambrosi, Joseph R.
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| 700 |
1 |
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|a Cole, Penelope.
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| 700 |
1 |
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|a Coen, Elizabeth.
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| 700 |
1 |
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|a Bisaha, David.
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| 700 |
1 |
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|a Bartley, Sean.
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| 700 |
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|a Aviles-Rodriguez, Guillermo.
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| 710 |
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|a Project Muse.
|e distributor
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| 830 |
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|a Book collections on Project MUSE.
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| 856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/72324/
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| 945 |
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|a Project MUSE - Custom Collection
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